For our eleventh episode, our hosts dance around all kinds of points and obstacles to talk about La La Land from 2016. 25YL film critics, honored dads, and summer freedom school teachers Will Johnson and Don Shanahan come from completely different places when it comes to the optics and results of Damien Chazelle's award-winning movie. For this show, these two guys go heady and long on those divergences. Come for the shared challenge and tirade and stay for the mutual love and respect for the fun movies encapsulate. Enjoy our podcast!
Read MoreBill Condon’s “Beauty and the Beast” stands firmly on its own merit. True to Disney’s recent trajectory, its goal is to “reimagine” a previous animated classic into the live-action medium for a new era and audience. Unlike the recent treatments of "Cinderella" and "Malificent," this "Beauty and the Beast" stays a full-blown musical. Imitation, emulation, and homage are all part of that process, but so is reappraisal and reinterpretation. Those later two actions are what drive this new fantasy film to soaring and successful heights.
Read MoreOne of the perks of becoming a regular blogging contributor on a podcast site is getting the occasional chance to appear on the actual podcast. Aaron White, one of the hosts of "Feelin' Film," connected time zones to bring myself and Popcorn Confessional critic Steve Clifton together for an extended post-Oscar wrap-up show. Listen to our reactions, rants, loves, and heartbreaks to both the 89th Academy Awards and the website's first annual "Feeler's Choice Awards."
Read MoreI’ll have you know that this is the latest this website has ever posted a “10 Best” list in its six-plus year history. I want to say that 2016 exhausted me, but it didn’t. “Every Movie Has a Lesson” published a personal-best 114 film reviews in 2016. Even after a record year, there is part of me that sits here and knows there was room for more. The to-do list of recommended films and overdue titles is never empty.
Read MoreThe 28 film critics and voting members, including yours truly, of the Chicago Independent Film Critics Circle completed their final ballots in 25 categories for their first annual CIFCC Awards. The CIFCC hosted an invitation-only awards reception at Transistor Chicago on January 8, 2017.
Read MoreWhat you're watching on TV on Sunday night is a party thrown by the Hollywood Foreign Press Association hosted by Jimmy Fallon in an effort to be loved and share some love. It’s a popularity contest more than a true Oscar precursor. The winners do get a pretty positive rub and the marketers gain a few more "Winner of..." graphics to put in the newspapers next to their films and we get Brendan Fraser GIFs.
Read MorePlenty of regular everyday people make New Year's Resolutions, but I think bigger entities, namely movie makers and movie moguls, need to make them too. Annually, including this sixth edition, this is my absolute favorite editorial to write every year. I have fun taking the movie industry to task for things they need to change. I'm sarcastic, but I'm not the guy to take it to the false internet courage level of some Twitter troll. This will be as forward as I get all year.
Read MoreCapping off their inaugural year, the members of newly-formed Chicago Independent Film Critics Circle, of which I am a director and co-founder, have announced their nominees for their first annual CIFCC Awards. Their voting membership of 28 members strong completed ballots over the holidays with the goal of three final nominees in 25 categories. They will commence a final round of voting ending on January 1, 2017 and host an invitation-only awards banquet at Transistor Chicago on January 8, 2017.
Read MoreWith the glitzy Los Angeles setting of “La La Land,” many will point to the Old Hollywood musicals of Gene Kelly, especially “Singin’ in the Rain,” as a necessary practice rounds, but “La La Land” is an unequivocally modern-set film. A different range is possible. Furthermore, advising you to re-watch “Whiplash” for Chazelle’s kicks or revisit “Rebel Without a Cause” to touch base with the Griffith Observatory are too easy for practice. Dig deeper and try a few of these on for size as a “La La Land” primer.
Read MoreIn front of and behind the camera, you will find creative people that deftly understand and properly tap into the spirit and flavor of the classic genres and eras they are blending. Breathing jazzy life into a Hollywood musical set in the present day of Priuses and iPhones, Damien Chazelle’s follow-up to “Whiplash” is a modern cinematic masterpiece. It is the kind of film where you will remember where you were when you first saw it. You will not find a more jubilant, romanticized, or flat-out entertaining film this year.
Read More