Bill Condon’s “Beauty and the Beast” stands firmly on its own merit. True to Disney’s recent trajectory, its goal is to “reimagine” a previous animated classic into the live-action medium for a new era and audience. Unlike the recent treatments of "Cinderella" and "Malificent," this "Beauty and the Beast" stays a full-blown musical. Imitation, emulation, and homage are all part of that process, but so is reappraisal and reinterpretation. Those later two actions are what drive this new fantasy film to soaring and successful heights.
Read MoreWhere using a composite character gets dicey is when they are made the lead because their fictional presence can outweigh the history and accuracy around them. Too much can be skewed to suit a character that doesn’t exist. That is exactly what occurs in “Patriots Day,” Peter Berg’s third consecutive collaboration with Mark Wahlberg. The makings for a stocked and stacked ensemble drama are dismantled by the misplaced hero worship that becomes little more than a vanity project.
Read MoreGo right now to YouTube and play the trailer for "American Sniper." First and foremost, THAT'S how you do a trailer. That's how you tease a film, still name drop who you need to, and set the stage without giving a shred of your film away. Second, after watching it, tell me you were surprised to see a name like Clint Eastwood's attached to a film with that kind of setting and tension. You wouldn't be alone. In many ways, "American Sniper" is new territory for Clint Eastwood will still retaining his signature hallmark of grit and heart.
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