The plot of Islands tries its hardest to add doubt to the current conundrum, but it does so in such a soft fashion. Peeks are weaker than pokes and prods every time. Not enough stings about this mystery. A film like this, using such a prime, exotic setting to add awe and infinite scope, should be putting us through our paces and making us sweat.
Read MoreIn Atropia’s type of satire, where war—and all its ugly realities—is being practiced as a performance for misplaced dominance, more than one mouthpiece is needed. Alia Shawkat’s oppositional firebrand is not enough. Callum Turner has to pull his weight.
Read MoreClever comeuppance is not the same as legitimate consequences, and that’s where the stiff reality of real-life outside the dramedy movie crashes the party. Because Signing Tony Raymond hops back and forth between the sordid and the sincere without full potency for one or the other, the cinematic takedown of college football recruitment practices is half-strength, at best.
Read MoreAsking Albert Birney to paint with a little more zip than dread would take away from his distinctiveness. This route will have its cult fans who stoke the fires of commentary comparing today’s anti-social generation with the past one. However, it’s still a course that regrettably shrinks the contagious wonder the premise of this daring jaunt could have generated.
Read MoreFrom dramatizing or even romanticizing whistleblowers and activists to revolutionaries and rebels, these types of “based on actual events” stories have been featured in outstanding films that have stirred up their fair share of civil disobedience and positive social change. While Dead Man’s Wire rips from a nearly half-century-old headline instead of a modern one, this engrossing comeback film for director Gus Van Sant waylays its own inspiring level of personal and public vindication that echoes today.
Read MoreLess would have been more, and less was already enough with The Dutchman. The movie never had to leave the train or the topics unleashed there. The originally intended inescapable struggle is demystified the moment it treads away from it. Worse, by leaving and constantly pointing at the fact that the very theatrical setting exists and supposedly still looms large, it negates what made it powerful and great in the first place.
Read MoreYet, here’s Max Walker-Silverman, following up the well-received A Love Song, with a drama that emphasizes true familial roots before anything else. When done right, those basics are bigger than any flashy extras. Instead of only “home is where your heart is,” Rebuilding asserts that home is where you are welcome, and, even after everything, Dusty says it like it is: “I don’t like anywhere better.”
Read MoreWhat strengthens this viewing experience is the unyielding performance from Rose Byrne. Her expressive interpretation of both physical and mental fatigue is beyond anything she’s ever done and is one of the best acting displays of 2025. Her fully-formed comedic timing as a seasoned actress of that genre stirs the dark and uncomfortable humor that bubbles within If I Had Legs I’d Kick You.
Read MoreRichard Linklater, through thick and thin over the years, has never sunk as low as where Lorenz Hart finished his life and career, partially because he, too, has the same inextinguishable zest to challenge and create, and puts it on screen every chance he gets. Keep going, Richard. We’re here for it.
Read MoreThrough it all, Truth and Treason means to call on more dissenters in this world. Either in the actual moment or in hindsight later, when people learn of or reflect on time periods of war and tyranny, they raise the question of where the dissenters were. Too often, the evil majority dominates the headlines and narratives of the given political or social conflict. In those times, conscientious objectors, protesters, or flat-out opponents of resistance were needed more than ever.
Read MoreThis supporting role in an independent movie from Good Deed Entertainment is smaller in scope than his previous three credits in massive Marvel Cinematic Universe entries and pales in complexity to the memorable, morally complex characters on his resume, where this final bow may not feel important enough in some eyes. Nevertheless, there’s something special about placing Michael Douglas’s mystique in such a soft, simple position.
Read MoreWhat could have been a morose, listless slog about a bitter whiner is energized into something of a soul-stirring seance in many layers and moments. If you’re taken away for 100 minutes to think about your life—what you’ve done and haven’t done—and what kind of man or person you want to be, one could do far worse than swoon to Gabriel Byrne and groove to Leonard Cohen.
Read More
