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Editor in Chief, content supervisor, and film critic for film obsessive
RESIDENT FILM CRITIC AND CONTRIBUTOR TO THE ELMWOOD PARK ADVOCATE
ASSOCIATIONS AND MEMBERSHIPS
CRITICS CHOICE ASSOCIATION: MEMBER SINCE 2021
HOLLYWOOD CREATIVE ALLIANCE: Member since 2021
ONLINE FILM CRITICS SOCIETY: MEMBER SINCE 2018
CHICAGO INDIE CRITICS: CO-FOUNDER, DIRECTOR, AND MEMBER SINCE 2016
NORTH AMERICAN FILM CRITICS ASSOCIATION: Member since 2022
INTERNET FILM CRITICS SOCIETY: MEMBER SINCE 2022
INTERNATIONAL FILM SOCIETY CRITICS ASSOCIATION: MEMBER SINCE 2023
CELEBRITY FILM AWARDS: MEMBER SINCE 2021
ONLINE MOVIE & TELEVISION ASSOCIATION: MEMBER SINCE 2018
AWARDS AND RECOGNITIONS
Ranked at #6 as one of “The Top 100 MOVIE CRITICS” BY SCREENCH
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SELECTED AS ONE OF THE "TOP 60 MOVIE REVIEW BLOGS ON THE PLANET" AND ONe OF THE "TOP 100 MOVIE BLOGS ON THE PLANET" in 2017 BY FEEDSPOT
NAMED ONE OF "The Top Popular Blogs You should be Following in 2018" BY TIERRA GAMER
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The movie is unafraid to shift ways to see and feel beauty, even through—and especially through—artificial sources. What makes her happy makes him happy, and not the over-traditional other way around, and that simple stance speaks volumes. Wicker’s lifts given to a woman’s independence and the proper devotion a spouse should give their partner create harmony sorely missing in the world.