Both Ian Simmons of the Kicking the Seat podcast and YouTube channel are on the press list to receive promotional products from Warner Bros. Home Entertainment. He and I have teamed up in the past on his show to review some 4K releases of classic films, especially during 2023’s centennial anniversary of the studio. This time around, Ian and I were treated to advance copies of the new Rocky Ultimate Knockout Collection boxed set containing all of the original films of the Sylvester Stallone franchise. For this episode, Ian, myself, and guest Bryan Martinez talk about the bust that was Rocky V and the superior legacy sequel of Rocky Balboa.
Read MoreBoth Ian Simmons of the Kicking the Seat podcast and YouTube channel are on the press list to receive promotional products from Warner Bros. Home Entertainment. He and I have teamed up in the past on his show to review some 4K releases of classic films, especially during 2023’s centennial anniversary of the studio. This time around, Ian and I were treated to advance copies of the new Rocky Ultimate Knockout Collection boxed set containing all of the original films of the Sylvester Stallone franchise. For the episode, Ian, myself, and guest Bryan Martinez talk about the middle pair of Rocky III and Rocky IV, including the recent Rocky vs. Drago Ultimate Fight director’s cut. Enjoy the show and be sure to subscribe to his podcast.
Read MoreBoth Ian Simmons of the Kicking the Seat podcast and YouTube channel are on the press list to receive promotional products from Warner Bros. Home Entertainment. He and I have teamed up in the past on his show to review some 4K releases of classic films, especially during 2023’s centennial anniversary of the studio. This time around, Ian and I were treated to advance copies of the new Rocky Ultimate Knockout Collection boxed set containing all of the original films of the Sylvester Stallone franchise. For the episode, Ian and I talk about the Best Picture-winning original and its immediate sequel Rocky II. Enjoy the show and be sure to subscribe to his podcast.
Read MoreThe Kicking the Seat podcast and YouTube channel hosted by Ian Simmons had the makings of a Fight Night this week with its livestream show for the hotly anticipated Deadpool & Wolverine. The smash hit is the kind of thing that has been right up the alley of Ian’s dais of “Earth’s Mightiest Critics.” But, we didn’t account for Ian himself. For those of you who follow the show, Ian’s had a moratorium for comic book movies before and, even in returning to the genre, he has not been moved or impressed. I was there for the possible brawl alongside Annie Banks of We’ve Got This Covered, Mike Crowley of You’ll Probably Agree, Cati Glidewell of The Blonde in Front, and Mark Krawczyk of Special Mark Productions. Could we slash and stab some sense into him?
Read MoreThe Kicking the Seat podcast and YouTube channel hosted by Ian Simmons returned from a contentious show last week with “Earth’s Mightiest Critics” on Godzilla: Minus One to a movie that is even more universally loved in a shorter amount of time. Celebrating all the feelings and emotions hopping around our noodles, the spotlight movie was Pixar’s instant smash Inside Out 2. Joining Ian and me were Annie Banks of We’ve Got This Covered, Mike Crowley of You’ll Probably Agree, and Cati Glidewell of The Blonde in Front.
Read MoreThe good storytellers at Pixar take all the possible cringeworthy “red” jokes and mask them through creatively conceived metaphors that soften the obligatory embarrassment with heart, humor, and courage. After all, to the Chinese culture on display in Turning Red, the potentially frightening shade of crimson counts as a lucky color of vitality, success, and happiness. Leave it to the ever-reliable Pixar to swim freely within that intrinsic good fortune as they so often do.
Read MoreFor a while now, I have long wondered how someone could bottle that signature Pixar-level lightness for dramatic heft and pour it into a live-action piece with the same welcome whimsy. Pixar's animated feature films and shorts consistently have a special way with conveying humor within the most difficult emotions I might have found the closest attempt yet in Chad Hamilton’s lovely short film Not Yet.
Read MoreA significant shift in attention and investment has occurred in this series. Our hearts and allegiances swayed from rooting for the madness of our own mankind to the superior traits of humanity exhibited by Caesar and his ape brethren. A transformation of empathy like that is downright miraculous. War for the Planet of Apes is a full-bodied epic of glory and pain that matches and then exceeds the moving importance and heart this rebooted franchise has established in two previous knockout films.
Read MoreThe "Pixar Punch," as I like to call it, is alive and well in the vast franchise improvement that is Cars 3. Progressive with diversity and delivered with top-shelf computer animation, Cars 3 will earn your appreciate and change your mind about the series after Cars 2. Here is my newest YouTube "Movie Classroom" video review using the ShowMe iPad app and iMovie. Enjoy!
Read MoreWendy's founder Dave Thomas once said: “It all comes back to the basics. Serve customers the best-tasting food at a good value in a clean, comfortable restaurant, and they'll keep coming back.” Apply that telling quote of ease and simplicity to Cars 3 as a perfect parallel. The savvy creators at Pixar know how to package a quality product of with clean and clear values that gain brand loyalty from wide audiences. Returning to its Americana roots, Cars 3 rediscovers the franchise’s successful foundation of wholesome heart.
Read MoreThis year’s Academy Award nominees for Best Animated Short are an eclectic bunch. One of them, “Borrowed Time,” I have previously reviewed in full on this website. Here are my collected capsule reviews of the slate of five, complete with my signature life lessons. Look for the theaters this month bundling these nominees together for public viewing and ticket opportunities.
Read MorePlenty of regular everyday people make New Year's Resolutions, but I think bigger entities, namely movie makers and movie moguls, need to make them too. Annually, including this sixth edition, this is my absolute favorite editorial to write every year. I have fun taking the movie industry to task for things they need to change. I'm sarcastic, but I'm not the guy to take it to the false internet courage level of some Twitter troll. This will be as forward as I get all year.
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