For all intents and purposes in telling the memoir of Pulitzer Prize-winning journalist Dana Canedy, Washington has a movie that encircles patriotism, duty, the War on Terror, gender politics, Black love, colourism, the plight of military spouses, substitute fatherhood, legacies, and more. Each is treated in an ultra-respectful fashion. Even with heavy emotions in play, none of those issues are shouted at with either favoritism or admonishment. In standing firm as it does, there’s a heap of bravery across many people and places to be found in A Journal for Jordan.

2021, 4 STARS, MOVIE REVIEWDon ShanahanDecember 28, 2021A Journal for Jordan, Denzel Washington, Michael B. Jordan, Chante AdamsComment

MOVIE REVIEW: The Tragedy of Macbeth

Better than that academic boost, you will find a zealous movie that stands with decisiveness as one of the finest films of the year. The Tragedy of Macbeth seizes that prominence with precisely those two aforementioned traits: an inspired look and fire within the performers. There is no shortness of acting brilliance or production value perfection in every corner and millisecond of this picture.

2021, 5 STARS, ADVANCE MOVIE REVIEW, Home Media, MOVIE REVIEW, StreamingDon ShanahanDecember 23, 2021Macbeth, The Tragedy of Macbeth, Joel Coen, Denzel Washington, Frances McDormandComment

COLUMN: New Year's Resolutions for the Movie Industry in 2017

Plenty of regular everyday people make New Year's Resolutions, but I think bigger entities, namely movie makers and movie moguls, need to make them too. Annually, including this sixth edition, this is my absolute favorite editorial to write every year. I have fun taking the movie industry to task for things they need to change. I'm sarcastic, but I'm not the guy to take it to the false internet courage level of some Twitter troll. This will be as forward as I get all year.

2016, Column, Editorial, SPECIALDon ShanahanDecember 31, 2016New Year's Resolutions for the Movie Industry, New Year's Resolutions, Column, Editorial, 2016, 2017, New Year's Eve, Adam Sandler, Seth McFarlane, Michael Phillips, MTV, Donald Trump, Felicity Jones, Natalie Portman, Jessica Chastain, Jackie, Miss Sloane, Emma Stone, La La Land, #OscarsSoWhite, Moonlight, Fences, Hidden Figures, Mahershala Ali, Denzel Washington, Viola Davis, Naomie Harris, Octavia Spencer, Ava DuVernay, 13th, The Birth of a Nation, Southside with You, The Fits, Kicks, LGBT, Disney/Marvel, 20th Century Fox, Sony Pictures, Sony Entertainment, Captain America: Civil War, Spider-Man, Spider-Man: Homecoming, X-Men: Apocalypse, Deadpool, Doctor Strange, Batman V. Superman: Dawn of Justice, Suicide Squad, Geoff Johns, Denis Villeneuve, Dwayne Johnson, Dwayne 'The Rock' Johnson, Prisoners, Enemy, Sicario, Arrival, Blade Runner 2049, Ridley Scott, Alien: Covenant, Jumanji, Baywatch, Kicking the Seat, Pixar, Pixar Punch, Sing, The Secret Life of Pets, The Angry Birds Movie, The Emoji Movie, Pete's Dragon, Mark Wahlberg, Deepwater Horizon, Patriots Day, Transformers: The Last Knight, Jason Statham, Saturday Night Live, Ghostbusters, Damien ChazelleComment

MOVIE REVIEW: Fences

Movies are an offspring of plays. What started on theater stages can now step into a wider world. Locations can remove the boundaries and improve an immersive story, but the human performances are still what matters most. Words have power regardless of setting. “Fences,” directed by Denzel Washington, is one of the finest and most seamless examples of the power of performance being translated from the stage to the screen.

MOVIE REVIEW: The Equalizer

Denzel Washington's recent releases of "The Book of Eli," "Unstoppable," "Safe House," "Flight," and "2 Guns" have been some of the best financial earners of his career. He hasn't had a film open under $20 million since 2003. His age may have increased, but audiences still count on and flock to Denzel being the razor edge of intensity and initiative he's always been. His latest film is no different and it reunites Denzel with his "Training Day" director Antoine Fuqua. "The Equalizer" is a film remake of a CBS TV show that ran for four seasons from 1985 to 1989.