That crucial third act would make a heck of a short film on its own. If we could fast-forward to there, we would be in business. Instead, we get the Eastwood hero worship vanity project parade. Invisible yet incredibly overt, The 15:17 to Paris freely flies its flags of god-fearing conservative morals, manly superiority, unwavering courage, dreams of glory, and military brotherhood. The content isn't lowered for Eastwood’s credibility, but the execution is, even if there is an audience for this sort of thing.

COLUMN: The 10 Best Films of 2017

The end of the year brings grading and reflection points for both the school teacher in me and the film critic. Looking at the online Trapper Keeper portfolio called Every Movie has a Lesson, I published 126 full film reviews in 2017, topping last year’s 114 and setting a new high mark. Here’s my definitive list of the "10 Best" films of 2017. True to this website’s specialty, each film will be paired with its best life lesson. Enjoy!

MOVIE REVIEW: Darkest Hour

Darkest Hour and Gary Oldman exhibit tremendous fight to match the vigor of the era. The film builds its mounting prospects of calamity and clashes of dissension with polish and gumption, avoiding many of the dull notes normally saddling most other behind-the-war-room yak-fest. The screenplay shrewdly skips laborious biographical notes and tautly fixates primarily on the two weeks of debate leading up to Operation Dynamo

2017, 4 STARS, MOVIE REVIEWDon ShanahanDecember 5, 2017Landmark Century Centre CinemasWinston Churchill, Darkest Hour, Joe Wright, Lily James, Kristin Scott Thomas, World War II, Operation Dynamo, Dunkirk, Clementine Churchill, Tinker Tailor Soldier Spy, Harry Potter, The Dark Knight, Best Actor in a Leading Role, Best Actor Oscar, Gary Oldman, Dario Marianelli, Atonement, Pan, Stephen Frears, Valerio Bonelli, Bruno Delbonnel, Amelie, The Theory of Everything, Anthony McCarten, Ben Mendelsohn, Prime Minister, King Edward VI, film critic, movie critic, film review, movie review, film commentary, movie commentary, 2017 Holiday Films, Churchill, life lessons, life lessons from film, life lessons from movies, life lessons from films, Oscar contenders, Donald Shanahan, Don Shanahan, Every Movie Has a Lesson Comments

MOVIE REVIEW: Three Billboards Outside Ebbing, Missouri

Martin McDonagh’s new film puts prickly in the pastoral glazing its country charm with absolute acid every chance it gets. Part stern crime drama and part small-town chicanery, Three Billboards Outside Ebbing, Missouri displays the next level of McDonagh’s talent and potential. Always the sharp storyteller since his roots on the Irish stage, McDonagh’s writing prowess elevates a premise that would fall flat as pure farce in other hands

MOVIE REVIEW: Justice League

Justice League comes across like attempted course correction done on that Etch-a-Sketch. The artist, or artists in this case, are trying to retrace old paths and smooth over past missteps with redrawn swirls, lighter hues, and a fluffy cover-up we call comedy. That effort on the cinematic Etch-a-Sketch indeed changes the initial picture, but only after unnecessarily tedious effort and some remaining messy results.

2017, ADVANCE MOVIE REVIEW, MOVIE REVIEW, 2 STARSDon ShanahanNovember 15, 2017AMC River East 21Justice League, Marvel Cinematic Universe, Blueprint, DCEU, DC Extended Universe, DC Comics, DC Universe, DC, Etch-a-Sketch, 2017, 2017 Holiday Films, Etch A Sketch, Buddy the Elf, Batman V. Superman: Dawn of Justice, Ben Affleck, Batman, The Batman, Ciarin Hinds, Steppenwolf, Apokolips, Mother Boxes, Man of Steel, Bruce Wayne, Wonder Woman, Gal Gadot, Ezra Miller, The Flash, Barry Allen, Arthur Curry, Aquaman, Jason Momoa, Victor Stone, Cyborg, Ray Fisher, Jeremey Irons, Alfred Pennyworth, Lois Lane, Amy Adams, Commissioner Gordon, J.K. Simmons, Suicide Squad, James Wan, Henry Cavill, Victor Frankenstein, Fabian Wagner, Danny Elfman, Spider-Man, Hans Zimmer, reshoots, Zack Snyder, Joss Whedon, movie critic, film critic, movie review, film review, movie commentary, film commentary, life lessons, life lessons from movies, life lessons from film, life lessons from films, Don Shanahan, Donald Shanahan, Every Movie Has a Lesson Comments

MOVIE REVIEW: Lady Bird

In her solo feature directorial debut, Greta Gerwig has stepped in and pushed this cinematic species tremendously forward with the dramedy Lady Bird. The film destroys any notion of the “manic pixie dream girl” fakery. Lady Bird is a cornucopia woven with striking candor and filled with delightful oxymorons artfully composed to challenge taboos and stereotypes. Let’s give each oxymoron a life lesson and a paragraph or two along the way.

2017, 5 STARS, Chicago Film Festival, Film Festival, Independent Film, MOVIE REVIEWDon ShanahanNovember 10, 2017AMC River East 212017, 2017 Fall Movies, Lady Bird, Now and Then, Welcome to the Dollhouse, Thirteen, Catherine Hardwicke, Kelly Fremon Craig, The Edge of Seventeen, John Hughes, Sixteen Candles, manic pixie dream girl, Greta Gerwig, oxymoron, Atonement, Brooklyn, Saoirse Ronan, Sacramento, Dave Matthews Band, Beanie Feldstein, Neighbors 2: Sorority Rising, Lucas Hedges, Manchester by the Sea, Goosebumps, Odeya Rush, Timothee Chalamet, Interstellar, Tracy Letts, Laurie Metcalf, Jon Brion, movie review, film review, life lessons, life lessons from film, life lessons from movies, life lessons from films, Coming of Age films, Coming of Age movies, coming of age, Boyhood, movie critic, film critic, Chicago International Film Festival, 53rd Chicago International Film Festival, Festival Centerpiece, Festival review, festival preview, film festival, CIFF, Donald Shanahan, Don Shanahan, Every Movie Has a LessonComment

SHORT FILM REVIEW: Not Yet

For a while now, I have long wondered how someone could bottle that signature Pixar-level lightness for dramatic heft and pour it into a live-action piece with the same welcome whimsy. Pixar's animated feature films and shorts consistently have a special way with conveying humor within the most difficult emotions I might have found the closest attempt yet in Chad Hamilton’s lovely short film Not Yet.

MOVIE REVIEW: Loving Vincent

The filmmakers promised Loving Vincent to be nothing you’ve ever seen put to film and they were not lying. The sheer artistry is miraculous where even folded shirts look as dramatic as emoting faces. To call the biographical drama a work of art and astonishing technical achievement would be shameless understatements. The best part of all is the massive wellspring of creativity was thankfully applied to an engaged narrative worthy of the artistry and the legend cast by Vincent Van Gogh

2017, 5 STARS, Independent Film, Foreign Film, MOVIE REVIEWDon ShanahanOctober 18, 2017Landmark Century Centre Cinemas2017, 2017 Fall Movies, animated films, Best Animated Feature, Loving Vincent, Vincent Van Gogh, Canon D20 camera, Robert Gulaczyk, Auvers-sur-Oise, Dr. Paul Gachet, Jerome Flynn, Saoirse Ronan, Marguerite, Marguerite Gachet, Chris O'Dowd, Douglas Booth, Romeo & Juliet, Lukasz Zal, Ida, Tristan Oliver, Fantastic Mr. Fox, Justyna Wierszynska, Dorota Kobiela, Clint Mansell, The Fountain, Hugh Welchman, Jacek Dehnel, poet laureate, film critic, movie critic, movie review, film review, CIFCC, movie commentary, film commentary, life lessons from animated films, life lessons, life lessons from movies, life lessons from film, life lessons from films, Donald Shanahan, Don Shanahan, Every Movie Has a Lesson, Lara BogenreifComment

MOVIE REVIEW: Chasing the Blues

Chasing the Blues is a dark comedy through and through. Director Scott Smith and his co-writer Kevin Guifoile crafted an engaging yarn of hijinks and hilarity. Their narrative might feel like something out of a Coen brothers rough draft, but this film sides with a far less gonzo approach that suits its shrewder stature. Like the musical genre at its core, patient storytelling is at the forefront. Could it use a stiffer punch or two? Maybe, but then it wouldn’t be the blue and not everything has to be shock cinema. Waiting for the payoff in this tidy 77-minute film is an easy and worthwhile short hike to climb.

2017, 3 STARS, ADVANCE MOVIE REVIEW, Chicago Film Festival, Film Festival, Independent Film, MOVIE REVIEW, Video on DemandDon ShanahanOctober 18, 201753rd Chicago International Film Festival2017, U.S. Indies, Chicago International Film Festival, 53rd Chicago International Film Festival, CIFF, CIFCC, independent films, independent film, Chasing the Blues, Scott Smith, Jimmie Kane Baldwin, Cicero Records, Chicago, Chicago films, The Royal Tenenbaums, Grant Rosenmeyer, Chelsea Tavares, Anna Maria Horsford, Amen, Ronald L. Conner, Kevin Guilfoile, blues, blues music, movie review, film review, festival preview, film festival, Festival coverage, Festival review, movie commentary, film commentary, music, movie critic, film critic, AMC River East 21, press credentials, life lessons, life lessons from movies, life lessons from film, life lessons from films, Every Movie Has a Lesson, Donald Shanahan, Don ShanahanComment

MOVIE REVIEW: The Florida Project

The crucial emotional response The Florida Project demands of its viewers is empathy. If you can’t find that, if you turn your nose, close your eyes, and refuse to accept that this kind of American lifestyle exists, you are missing the hard truths, the teachable moments, and the larger points being presented. onvenient Hollywood endings don’t exist in the real life Baker’s film examines. Applaud a film that dares to push that stark reality.

MOVIE REVIEW: Our Souls at Night

Even from a different generation than the present day, you can’t get more Hollywood than Robert Redford and Jane Fonda. Both are emeritus stars of Tinseltown royalty on multiple levels, respected and celebrated as award-winning performers, icons of style, sex symbols, and vigilant political personas off-screen. To see the two of them together again, for the fifth time and the first time in 38 years in Our Souls at Night, is a revitalizing treat unto itself, but to see their shared film be staunchly non-Hollywood in stature is even more refreshing.

SHORT FILM REVIEW: Loyalty or Betrayal

By design and in the name of essential effectiveness, a good short film has to cut to the chase. Their tricks of cinematic shorthand in the exposition department are what make them entertaining. When the micro-budgeted Loyalty and Betrayal opens on the imagery of a man on his bedroom floor putting a gun to his forehead, a chase has certainly been cut. Writer/director Jonathan Vargas grabs us right there and locks our gaze.

EVERY MOVIE HAS A LESSON

by Don Shanahan

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