Take the title of the film whatever way you wish, be it literally with the lurking threats of nightfall in this landscape or figuratively with the visions and nightmares one has while alone with their thoughts before sleeping. It Comes at Night is tightly comprised of excruciating moral challenges that escalate with time.
Read MoreContrary to how well the Mythbusters pulled it off, you can't shine sh-t, not turds of the TV or film variety. Terrible TV shows make terrible movies. Asking for anything more is asking too much, and there's nothing wrong with that. All of the zing and jiggle audiences enjoyed in eleven seasons and 242 episodes of Baywatch get the amplified and gaudy movie treatment an entertaining guilty pleasure deserves. Enjoy what you enjoy and don't be ashamed of it.
Read MoreI’ll have you know that this is the latest this website has ever posted a “10 Best” list in its six-plus year history. I want to say that 2016 exhausted me, but it didn’t. “Every Movie Has a Lesson” published a personal-best 114 film reviews in 2016. Even after a record year, there is part of me that sits here and knows there was room for more. The to-do list of recommended films and overdue titles is never empty.
Read MoreIn a tonal shift from the trumpeted and showy norm of Oscar bait, “Lion” is yet another performance-driven dramatic film of 2016 entering this holiday season favoring prudence over theatrics. The feature film debut of award-winning commercial director Garth Davis, is a love letter instead of a power ballad that delivers genuine emotional heft all on its own, without the need to manufacture it for the sake of a movie.
Read MoreWith a minimalist style and unadorned simplicity to reflect on racial intolerance, Jeff Nichols crafts “Loving” as a reminiscence of history without the histrionics. Devoid of soapboxes, speechifying, and manufactured swells of forced emotion seen in far too many historical dramas, “Loving” cuts a different cloth, trading in Hollywood glamor for blue collar truthfulness. Nichols brilliantly lets the honesty and grace of Richard and Mildred Loving stand on their own without an unnecessary pedestal. Cite this film as proof that “tell it like it is” does not require bombastic noise and volume.
Read MoreI dare you to look into the painful eyes of the three ages of Chiron and their matching performers and not have your soul triple in weight. The arc in "Moonlight" from the innocence of the little boy to the uncomfortable vulnerability hiding underneath the muscles and gold fronts of the hardened resulting adult is arduously moving on multiple levels. Observing his difficulties forces you to absorb the conflict and inescapable trepidation that surrounds the shared character. Pressing his heart to your own makes for one of the most moving and rewarding film experiences this year.
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