With the grand release of Toy Story 5, Mike Crowley of the You’ll Probably Agree website and YouTube channel wanted to look back at the entire series while giving an initial review of the fifth entry. Joining as guests were fellow Chicago Indie Critics members Al and Linda Lerner of Movies and Shakers. Representing three different generations and critics, we each brought a unique perspective and appreciation to all things Toy Story.
Read MoreFor the Carolina Caroline screenplay to even entertain these more mature themes is a testament to its quality and uniqueness amid the sea of film noir and neo-noir mirrors and imitators. Anyone can put a hot girl and a studly man together with a couple of guns and fire off some ill-advised bullets and Cupid’s arrows. Samara Weaving and Kyle Gallner, like their characters, forge something stronger than a fleeting fling, and that weight means the world.
Read MoreFor this movie, the foreboding existence of a big, bad sea monster capable of thorough destruction is enough. There’s no need to channel Michael Bay or Roland Emmerich and blow every cinematic wad in the world. No massive crowds are running for their lives ahead of massive property damage. No one is screaming, “It’s the Kraken!” That’s improved patience and confidence to make your own thrills count.
Read MoreFor their 235th episode, two film critics, two dads, and two school teachers who definitely have the power, Will Johnson and Don Shanahan, are starting to scratch a sword-and-sandal itch. Semi-included in that subgenre, and just in time for the remake/reboot, is 1987's Masters of the Universe from Cannon Films. Starring the beloved and out-of-his element Dolph Lundgren, one of our hosts was absolutely the target audience for this nearly 40 years ago, and the other is watching it for the first time in 2026.
Read MoreFor their 234th episode, two wannabe TV critics, two resident dads, and two interning school teachers, Will Johnson and Don Shanahan, enjoy the second week and episode pausing from cinema to spread some love to prestige television. Last week, they covered Season 1 of HBO Max's The Pitt. For this episode, they recap and react to the recently completed second season.
Read MoreViewers of Iglesias’s film may or may not immediately subscribe to the notion of spirits and ghosts among us, which will strengthen or fray their connection with the story, depending on where they fall. There’s not so much a need for someone to take the matriarch’s place, but more of finding someone to match her presence.
Read MoreFor their 234th episode, two wannabe TV critics, two resident dads, and two interning school teachers, Will Johnson and Don Shanahan, enjoy the second week and episode pausing from cinema to spread some love to prestige television. Last week, they covered Season 1 of HBO Max's The Pitt. For this episode, they recap and react to the recently completed second season.
Read MoreFor their 232nd episode, two well-molded film critics, two non-Aussie dads, and two special effects school teachers, Will Johnson and Don Shanahan, have secretly found a little sub-niche over the years for their show, where they find an obscure, forgotten film and get the chance to move its Rotten Tomatoes score with their podcast's submitted review. This week, 1986's "F/X" gets the treatment.
Read MoreWhat isn’t problematic is Forge’s suave and efficient screenplay from Jing Ai Ng, making her feature debut after an eight-year resume of promising short films. The smoothness comes from scaffolding the idiosyncrasies of the underground art world, fueled by favors and authenticity. By empowering the prowess of the Coco character, Ng showcases this titular crime’s uniqueness, where not just anyone can pull it off.
Read MoreWhen done right, there’s sensory excitement between noises that rattle seats and silences that destroy our nerves. Tuner, the narrative directorial debut for Oscar-winning Navalny documentary filmmaker Daniel Roher, recognizes this second type of potential power and seizes it for a nifty thriller that deserves just as many big screens as the summer blockbusters it is poised to swim against.
Read MoreThe seismic disclosure recolors the sentiment, setting, and stakes of Magic Hour instantly. Marshall and Erin’s mother (fellow treasure and TV vet Susan Sullivan) are doing their best to provide Erin with this remote getaway of calm solace and granted space. Other people enter Magic Hour to guide Erin through her pain, but the one figure she’s responding to and divulging her worries to the most remains the present spectre of Charlie.
Read MoreFor their 231st episode, two decadent film critics, two old sport dads, and partying school teachers, Will Johnson and Don Shanahan, finally have, for what seems like the first time in a while, found a movie they truly feel opposite on to a nearly hate vs. love level, and it might not be from a place you typically expect. The loaded argument in question surrounds Baz Luhrmann's sparkly and loud blockbuster adaptation of The Great Gatsby
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