It begs the question of what it would actually take to win the attention and approval of the device-centered youths of today. Would it be what’s in the film, as in a set of parents instituting a cold turkey removal of wi-fi, a migration to analog country isolation, and the nudging increase of go-out-and-get-dirty experiences? Sure, that stuff tends to work in fictional movies, but what about stepping out of the movie itself to the theatrical and streaming marketplaces.
Read MoreA master of all things moody and mysterious, Dafoe is the chief reason to approach this narrative based on Panos Karnezis’s 2007 novel. The enigmatic star, singing and dancing at a few points, is granted all latitude to explore the framed space, and the camera is entranced to follow him. However, back to its ugly soap opera traits, outside of actively worshipping Dafoe completists, absorbing the undesirable heights of Jiménez’s bleak film is hard to recommend.
Read MoreWhen a creative person gets the fullest chance to tell a piece of their autobiographic story through their chosen medium, that’s a special result worth celebrating. Lauren Caster is wonderfully granted that very freedom as she writes, directs, and stars in the gracious independent film Rhythm Is a Dancer.
Read MoreNo son or daughter wants the “Alvin!” treatment from any incarnation of Alvin and the Chipmunks. Olmo isn’t just the title of the new film from Mexican director Fernando Eimbcke that played at the 2025 Toronto International Film Festival and as a Panorama selection at the 75th Berlinale. It’s the word you hear hollered most often, much to the dismay of the character who bears the name, played by Night Swim newcomer Aivan Uttapa.
Read MoreThanks to their committed and brave performances of showing life’s difficulties parallel to the carefree and united fun, the question isn’t “will-they” or “won’t-they” like other rom-coms. It’s should they because of the prudence being paced so smoothly and realistically next to the pleasures. Built that way, any fulfillment found in it all becomes much more rewarding.
Read MoreFor their 238th episode, two firefighting film critics, two propeller-driven dads, and two very much still alive school teachers, Will Johnson and Don Shanahan, follow up last week's blockbuster episode about a couple of heroic pilots with another featuring the same profession. On the heels of a new Steven Spielberg film last month, the two pointed their compass to 1989's Always, a Spielberg blind spot for Don that needed to be doused with fire-extinguishing podcast time
Read MoreIn the film critic and podcast circles I’ve come to be a part of, sometimes you find fascinating peers and, other times, they find you. Through my station at Ruminations Radio Network’s Cinephile Hissy Fit podcast, I was recruited by the hosts of PopFilter’s “Movie of the Year” podcast to guest on an episode breaking down a hit from the year 2006. The featured film is the indie darling Little Miss Sunshine. On the show, the hosts and guests score points for good jokes, intelligent responses, or correct trivia answers.
Read MoreFor their 237th episode, two alien-punching film critics, two crop-dusting dads, and two speechifying school teachers, Will Johnson and Don Shanahan, saw it fit to celebrate our nation's 250th birthday with the 30th anniversary of Roland Emmerich's Independence Day. Both hosts consider it one of the best pure summer blockbusters ever made and something that should be as annual a staple for the titular holiday as BBQs and fireworks.
Read MoreThe sleepaway setting has long been a comedy and horror staple, from Meatballs, Friday the 13th, and The Parent Trap to Heavyweights and full-on satires like Wet Hot American Summer, and the delightful and crass new comedy The Floaters follows that in the same vein. It doesn’t matter the specialty or type of camp, assembling a hodgepodge group of characters is a foolproof and fast way of multiplying the classic coming-of-age arc we know and love.
Read MoreFor their 236th episode, two sword-wielding film critics, two chainmail-wearing dads, and two gore-friendly school teachers, Will Johnson and Don Shanahan, continue on a sword-and-sandal deep dive by pairing together a pair of remakes of some 1980s cult classics. Last year in 2025, streaming services (and too few theaters) were graced with reboots of Red Sonja and Deathstalker.
Read MoreLucky Strike makes two cardinal mistakes in its first two scenes, which, in turn, dilute the rest of the movie. It’s a shame, too, because The Last Castle and The Contender director Rod Lurie, filming in the thick woods of Bulgaria, utilized striking wintery location shooting to put his actors through their paces and make us feel every cold snap of this movie’s little piece of the famed Battle of the Bulge during December of 1944.
Read MoreAs aforementioned, the premise of Rose of Nevada, bobbing our two strapping young men to the mercy of the seas of time, carries the “potential” of a story. Unfortunately, potential can only reach so far without actual progress. Try as George McKay can to unravel with his wide eyes to find an exit for Nick from this spiral, the oddness and downright tediousness of the plot never reach a true mindfuck level.
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