Each chapter has their zany swerve at that magic 50-minute mark that throws viewers for a reflective loop while also grinding any earned momentum to a halt. The twists are so obscure, even by Lanthimos’ standards, that any salted suspension of disbelief strains credulity worth any investment in by the time the hammer falls for a mid-movie roll of credits and a hard transition. That kind of abruptness happens three times, sometimes right when a tangential storyline was hitting a grove, making the shifts to entire new settings and characters jarring and, worse, defeating.
Read MoreFor better or worse, Poor Things is a movie of unsavory urges and scratched itches that pull the viewer down a pernicious drain of unconscionable behavior. There is a dark comedy buried in the muck of Poor Things that curdles to the surface in the final third as our strong female becomes the master of her own fate, body, heart, and business. Stone sells it at every turn. Still, at many points, one will wonder whether all of the absurdity will amount to something exotic or vapid.
Read MoreThe 28 film critics and voting members, including yours truly, of the Chicago Independent Film Critics Circle completed their final ballots in 25 categories for their first annual CIFCC Awards. The CIFCC hosted an invitation-only awards reception at Transistor Chicago on January 8, 2017.
Read MoreCapping off their inaugural year, the members of newly-formed Chicago Independent Film Critics Circle, of which I am a director and co-founder, have announced their nominees for their first annual CIFCC Awards. Their voting membership of 28 members strong completed ballots over the holidays with the goal of three final nominees in 25 categories. They will commence a final round of voting ending on January 1, 2017 and host an invitation-only awards banquet at Transistor Chicago on January 8, 2017.
Read MoreWith intentionally languid brushstrokes, "The Lobster," from Greek director Yorgos Lanthimos in his English language debut, creates a challenging moral setting that twists the realities and consequences of two human conundrums and fears: What happens when you are single and what happens when you die. His muse at the center is Colin Farrell in arguably the most understated performance of his career. With more talent and a high concept at play, "The Lobster" is missing the charm to tie it all together.
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