Each chapter has their zany swerve at that magic 50-minute mark that throws viewers for a reflective loop while also grinding any earned momentum to a halt. The twists are so obscure, even by Lanthimos’ standards, that any salted suspension of disbelief strains credulity worth any investment in by the time the hammer falls for a mid-movie roll of credits and a hard transition. That kind of abruptness happens three times, sometimes right when a tangential storyline was hitting a grove, making the shifts to entire new settings and characters jarring and, worse, defeating.

Top 10 Hysterical Emma Stone Movies

Emma Stone, often lauded as a comedy star, transcends genre boundaries, proving her mettle in diverse roles. From her Academy Award-winning performance in "La La Land" to her critically acclaimed roles, Stone has become a cinematic force. Although renowned for her comedic prowess, Emma Stone's career extends beyond laughter, showcasing her versatility in the below a to z movies list.

2024, Column, EditorialDon ShanahanJanuary 26, 2024Emma StoneComment

MOVIE REVIEW: Poor Things

For better or worse, Poor Things is a movie of unsavory urges and scratched itches that pull the viewer down a pernicious drain of unconscionable behavior. There is a dark comedy buried in the muck of Poor Things that curdles to the surface in the final third as our strong female becomes the master of her own fate, body, heart, and business. Stone sells it at every turn. Still, at many points, one will wonder whether all of the absurdity will amount to something exotic or vapid.

2023, Independent Film, MOVIE REVIEW, 4 STARSDon ShanahanDecember 16, 2023Poor Things, Emma Stone, Yorgos Lanthimos, A24, A24 Films, Mark Ruffalo, Willem DafoeComment

PODCAST: Episode 38 of "The Cinephile Hissy Fit" Podcast

For our 38th episode and second of two released this week, 25YL film critics, rebooted dads, and heroic school teachers Will Johnson and Don Shanahan welcome bacl special guest Rachel S. for another chapter of a trio of retrospectives of big screen Spider-Man takes on a chatty march to Spider-Man: No Way Home. This back-and-forth convo looks back at the Andrew Garfield/Emma Stone double of The Amazing Spider-Man and The Amazing Spider-Man 2. There's love and hate to share!

MOVIE REVIEW: Cruella

Cruella tosses that “psycho” term and label around flippantly, even with its successful motivation to be interesting and darker than the usual live-action works from the Mouse House. It offers a villainess to believe in, but what does that say to audiences? Swinging for sympathy towards the amoral could have amounted to the same mistake as Maleficent seven years ago. Luckily, the conniptions and confrontations of “Emma vs. Emma” are damn fun. There’s a welcome place to relish in their wickedness.

2021, 3 STARS, ADVANCE MOVIE REVIEW, Home Media, MOVIE REVIEW, StreamingDon ShanahanMay 27, 2021Cruella, Emma Thompson, Emma StoneComment

COLUMN: Who should win/will win the 2017 Golden Globes?

What you're watching on TV on Sunday night is a party thrown by the Hollywood Foreign Press Association hosted by Jimmy Fallon in an effort to be loved and share some love. It’s a popularity contest more than a true Oscar precursor. The winners do get a pretty positive rub and the marketers gain a few more "Winner of..." graphics to put in the newspapers next to their films and we get Brendan Fraser GIFs.

COLUMN: New Year's Resolutions for the Movie Industry in 2017

Plenty of regular everyday people make New Year's Resolutions, but I think bigger entities, namely movie makers and movie moguls, need to make them too. Annually, including this sixth edition, this is my absolute favorite editorial to write every year. I have fun taking the movie industry to task for things they need to change. I'm sarcastic, but I'm not the guy to take it to the false internet courage level of some Twitter troll. This will be as forward as I get all year.

EDITORIAL: Five films to watch before "La La Land"

With the glitzy Los Angeles setting of “La La Land,” many will point to the Old Hollywood musicals of Gene Kelly, especially “Singin’ in the Rain,” as a necessary practice rounds, but “La La Land” is an unequivocally modern-set film. A different range is possible. Furthermore, advising you to re-watch “Whiplash” for Chazelle’s kicks or revisit “Rebel Without a Cause” to touch base with the Griffith Observatory are too easy for practice. Dig deeper and try a few of these on for size as a “La La Land” primer.

MOVIE REVIEW: La La Land

In front of and behind the camera, you will find creative people that deftly understand and properly tap into the spirit and flavor of the classic genres and eras they are blending. Breathing jazzy life into a Hollywood musical set in the present day of Priuses and iPhones, Damien Chazelle’s follow-up to “Whiplash” is a modern cinematic masterpiece. It is the kind of film where you will remember where you were when you first saw it. You will not find a more jubilant, romanticized, or flat-out entertaining film this year.

COLUMN: Who will win/should win the 2015 Golden Globes?

More and more each year, the Golden Globes have become more an a popularity contest than a true precursor to the Academy Awards. What you're watching on TV is a party thrown by the Hollywood Foreign Press Association in an effort to be loved and share some love. To its credit, the awards show still garners legitimate attention and ratings. The winners do get a pretty positive rub and the marketers gain a few more "Winner of..." graphics to put in the newspapers next to their films. Let's take a look at the film categories and pick some winners.

MOVIE REVIEW: Birdman

When Keaton's perfection is combined with the film's bracing, topical, and strong social commentary on Hollywood, Broadway, acting, fame, and celebrity for this different modern world, "Birdman" becomes even larger of an achievement for Mexican director and Academy Award nominee Alejandro Gonzalez Inarritu. Subtitled "The Unexpected Virtue of Ignorance," this new film will earn a high place on many year-end lists for one of the year's best.

MOVIE REVIEW: Magic in the Moonlight

Woody Allen has the Midas touch of artistic credibility. Non-actors become notable presences. No-name actors become discovered somebodies. Name actors look better than they normally do and great actors get even greater, even when the films aren't that great. In his latest film, "Magic in the Moonlight," Allen bestows that touch on one great actor and one name actress with Colin Firth and Emma Stone as his leads.

EVERY MOVIE HAS A LESSON

by Don Shanahan

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