Venturing into this version of the admittedly terrifying and therapeutic unknown, Is This Thing On? asks incredible and intelligent questions that actually get chewed on with civility and dignity, ignoring the urge to shout hot drops of dialogue to the rhetorical rafters solely meant to let an actor show off. The intimate immediacy of these stellar conversations lets loose stern answers and bold examinations about relationships.
Read MoreHamnet postulates that the epic tragedy of Hamlet was William’s deeply personal response to the death of his son. Now, that crescendo of catharsis is merely the final third of Farrell’s novel and Chloe Zhao’s masterful film. A reaction-inducing climax and conclusion like that could only come from an equally important effort to establish the beautiful and challenging humanity of the people going through their ordeal.
Read MoreMake a movie or show about a real-life serial killer with an actual body count of documented victims that used to live among us, and you’re frosting spines, locking your doors, and doom-scrolling the true story. Make a sly, stylish, spooky, or quirky movie of imaginary people getting slain in grandiose fashion, and you’re popping extra popcorn, smiling with delight, and relaxing anxiety-free on your couch. What a funny and fascinating development that is!
Read MoreTo fully accept the societal and emotional terrains of Hikari’s outstanding dramedy Rental Family, one is required not so much to make an enormous leap into a lurid scenario, but rather, let’s say, a long step. You will need a stretched lunge forward that closes the typical arm’s length of observational distance from something you don’t entirely know or accept. That gingerly-taken step merges you into a different comfort zone than your own
Read MoreCelebrating its 11th year gracing the Chicagoland area with delightful film selections with Irish flair, the annual Irish American Movie Hooley, presented by Hibernian Media, proudly returns to the historic Wilmette Theatre in Wilmette, Illinois. The event spans three films across three nights from September 26th to September 28th. It’s the only Irish American film festival in the world, and this year, the festival organizers are so excited to present three extraordinary films.
Read MoreThe Oak Park Illinois Film Festival enjoyed its inaugural year in 2024. Created as a celebration of cinema connected to the titular affluent western suburb of Chicago, the OPILFF brought together audiences and filmmakers at a gala opening at the Classic Cinemas Lake Theatre and a full-day program of over 15 films. The distinctive and valuable festival returns for its second year in 2025 with another excellent kick-off event and a two-day schedule of feature-length and short film selections
Read MoreThe elements of the classic “film noir” genre have found success and inspired other movies for almost a century. Cracking with style, crime, and tension, they are the epitome of the expression “They don’t make them like they used to.” Here in September, fans of noir movies have an oasis arriving nearby with the Music Box Theatre’s annual Noir City: Chicago program.
Read MoreTrue to a play’s performative spine, Eric LaRue rises to become an actor’s showcase building towards two important summits: the aforementioned collection of mothers and the first visit to Eric in prison. Each seated clash places Judy Greer in the unenviable position as the target of ire and the recipient of painful reactions, where no amount of contrition will be enough and immediate peace is impossible.
Read MoreThe trouble is The Brutalist cannot decide whether to peck at that facade with an awl or swing at it with a sledgehammer. Too often, it hands the wrong figurative tool to the actors for the wrong moments. Appreciably, Adrien Brody and Guy Pearce are formidably locked into their roles and stalwart in their respective characters’ competing visions and varying sins of pride. However, big moments get unsuccessfully needled while small ones get overly demolished, which ultimately betrays more characters than Brody’s and Pearce’s
Read MoreWhile ambitious as a ripe tangent in borrowing a real-life scandal, the whole shadowing angle of May December overloads what was excessive enough as off-screen history to begin with. Applying a smattering of unlikely kinks and a confounding third act of insecurity swerves sinks the film. Haynes is left with a mood piece of examining taboo with more taboo. and it gets unattractively lost in just that very vibe.
Read MoreTo press that feeble aesthetic further, the dramatic soap of Empire of Light is that everyone is cleansed when lovely cinematic journeys push viewers and servants alike to go out and get the life they want. Movie theaters are indeed an oasis of culture, a safe haven for friendship, and a shared glue of communal experiences. Can movies unlock repressed emotions for Hilary or improve her attitudinal state? Maybe and maybe not, but it’s quaintly nice to think so.
Read MoreIf you believe it, the city of Chicago has more citizens of Irish ancestry than Boston, myself among them. That means we know our whiskey and we know how to party. As the Irish say, when a party gets rowdy, they call it a “hooley.” The Windy City has two upcoming opportunities to have that kind of cinematic party with the 8th annual Irish American Movie Hooley.
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