Posts tagged Kubo and the Two Strings
COLUMN: The 10 Best Films of 2016

I’ll have you know that this is the latest this website has ever posted a “10 Best” list in its six-plus year history.  I want to say that 2016 exhausted me, but it didn’t.  “Every Movie Has a Lesson” published a personal-best 114 film reviews in 2016.  Even after a record year, there is part of me that sits here and knows there was room for more.  The to-do list of recommended films and overdue titles is never empty.  

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SPECIAL: Winners announced for the first annual CIFCC Awards!

The 28 film critics and voting members, including yours truly, of the Chicago Independent Film Critics Circle completed their final ballots in 25 categories for their first annual CIFCC Awards.  The CIFCC hosted an invitation-only awards reception at Transistor Chicago on January 8, 2017.

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MEDIA APPEARANCE: Guest on the "Kicking the Seat" podcast talking "Moana"

After attending a last-minute press screening of "Moana" for a plus-one Date Night with my wife and "Pillow Rankings" cohort Thanh Shanahan, I was cordially invited by "Kicking the Seat" film critic and friend-of-the-page Ian Simmons to once again be a guest on his stellar podcast.  This 173rd episode was my first solo flight with Ian and we shared a highly enjoyable back-and-forth at the Golden Nugget Pancake House about strong female characters, Candyland conundrums, the appetizing animated short "Inner Workings," the ever-present Dwayne Johnson bump, mythology comparisons, Katherine Helmond tributes, and much more. 

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MOVIE REVIEW: Kubo and the Two Strings

Laika Entertainment, the Portland-based and Phil Knight-backed stop-motion animation studio that brought you “Coraline,” “ParaNorman, and “The Boxtrolls” have outdone themselves with their newest effort.  “Kubo and the Two Strings” leaps off the screen with an original foreign folk tale that employs a rich originality and builds a strong base of emotional connection that rivals its Disney/Pixar contemporaries.  Everything about its surface is finely crafted and creatively awe-inspiring.  Who and what lies behind this film’s skin are its most egregious flaws that keep it from being a justifiable, full-fledged classic.

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