Martin McDonagh’s new film puts prickly in the pastoral glazing its country charm with absolute acid every chance it gets. Part stern crime drama and part small-town chicanery, Three Billboards Outside Ebbing, Missouri displays the next level of McDonagh’s talent and potential. Always the sharp storyteller since his roots on the Irish stage, McDonagh’s writing prowess elevates a premise that would fall flat as pure farce in other hands
Read MoreMichael Glover Smith’s words of mounting depth and weight turn idle chatter into soapboxes that eventually become proverbial fortifications built around questioned principles and shattered wills. The ensemble of performers delivers on the required heavy lifting from the director to make the multitude of human flaws believable yet still approachable. Mercury in Retrograde is a hidden gem.
Read MoreIn a return engagement for a zany sequel, Every Movie Has a Lesson welcomes back the four fine ladies and working moms of the "TTC" (Terrific Teacher Committee). Say hello again to Donna Ferretti, Kelly Johnson, Manda Torres, and my own wife, Mrs. Thanh Shanahan, the purveyor of this website's "Pillow Rankings" section. Sixteen months ago, they reviewed Bad Moms on this website as "Guest Critics."
Read MoreWonder’s buoyant messages are the moving jolt of empathy this generation needs. Even better, its literal and figurative precepts carry an inspiring weight worthy to last many generations more. Directed by the good hands of Stephen Chbosky, Wonder is an instant classic, sure to become a new favorite, for its target audience and a winning (and rare) example of a film taking great care to do justice by the book it is based on.
Read MoreJustice League comes across like attempted course correction done on that Etch-a-Sketch. The artist, or artists in this case, are trying to retrace old paths and smooth over past missteps with redrawn swirls, lighter hues, and a fluffy cover-up we call comedy. That effort on the cinematic Etch-a-Sketch indeed changes the initial picture, but only after unnecessarily tedious effort and some remaining messy results.
Read MoreIn her solo feature directorial debut, Greta Gerwig has stepped in and pushed this cinematic species tremendously forward with the dramedy Lady Bird. The film destroys any notion of the “manic pixie dream girl” fakery. Lady Bird is a cornucopia woven with striking candor and filled with delightful oxymorons artfully composed to challenge taboos and stereotypes. Let’s give each oxymoron a life lesson and a paragraph or two along the way.
Read MoreFellow Chicago critic Jeff York is a delight to talk to on any and all topics, but our movie chats have become truly special. Jeff was able to view and review Kenneth Branagh's remake of Murder on the Orient Express. He's a self-professed fan and cover-to-cover expert on the Agatha Christie source novel and the previously celebrated 1974 film adaptation. His review will do better informative service than mine ever would.
Read MoreOne of the most dramatic of all meteorological phenomenon is fog. It can be used to ratchet up tension, conceal terrifying creatures, and even provide important characters with a suitably dramatic entrance. Spanning genres from horror to sci-fi, mist and fog are more versatile than mere set dressing. This infographic from Vaping Man shares the importance (not forgetting the scare-factor) that fog brings to the silver screen.
Read MoreThere are few things more scenic and compelling than a wide-open rooftop overlooking a sprawling urban landscape. The perception of heigh and depth does it all. Over the years, some iconic movie scenes have taken place on rooftops. Maybe it’s the risk of falling off, or the build-up to the inevitable showdown at the end. Here is an engaging infographic from Rubber Band on some of the best rooftop confrontations in movie history.
Read MorePaired perfectly as a double-feature follow-up to this summer’s spacefaring Guardians of the Galaxy Vol. 2, Taika Waititi’s Thor: Ragnarok is a raucously rad roller coaster that shoots rainbows out of every digitally-rendered pore. Blasting with energetic pace in the complete opposite direction from the dreary and grayish Game of Thrones Lite tone of Thor: The Dark World, this new chapter is a cinematic box of Crayola crayons laced with dynamite.
Read MoreSuburbicon lazily delivers a caper that lacks cleverness, smarts, and anything edgy other than the spurts of hemoglobin that stain a few starched shirts. Even if it is pitch black by design, the final ingredient of fake sentimentality glazed over the proceedings is ineffective to add any varnish to the acidic angle of white-collar crime. Nonsensical twist follows nonsensical twist for an aimless purpose.
Read MoreThe 53rd Chicago International FIlm Festival brings over 1,000 films of all genres and sizes to our fair city. There are premieres aplenty, between those making their world, North American, or Chicago debuts. Opening with a red carpet premiere of Marshall, peaking with the centerpiece of Greta Gerwig’s Lady Bird, and closing with the Oscar contender The Shape of Water from Guillermo del Toro, the 53rd CIFF fills the AMC River East 21 for two weeks. For the fourth year in a row, Every Movie Has a Lesson has been granted press credentials to cover the CIFF and here are my capsule reviews.
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