Instead of empathy leading to absorb the full breadth of such a possible tragedy, the conjured thrills selfishly serve only one side of the story and plead a hollow case by the end. By staying on Amy and her radical involvement in the climax, the movie forgets to consider the unseen characters in the story that do not fare as well. The movie is laser-focused on this one mom and her one kid with very little respect extended to the fullness of the event or larger issue. Even with the objective of making a claustrophobic and voyeuristic movie, that larger picture cannot responsibly be dismissed for selfish or singular gain.

MOVIE REVIEW: The Glass Castle

Mulling over the many layers and events of Destin Daniel Cretton’s film adaptation of Jeanette Wells’ memoirs The Glass Castle, I keep coming back to the same essential question: "Who am I to judge someone else's life story or life choices?" If the real Jeanette Wells is able to make peace with the events of her childhood, how can I, or anyone, tell her she's wrong? The answer is we can’t (and shouldn’t) and that’s a hurdle not everyone has shown to be prepared for or able to separate from critique.

MOVIE REVIEW: The Book of Henry

Grant Focus Features, director Colin Trevorrow, and debuting feature writer Gregg Hurwitz all the balls in the world for putting out a movie this daringly original during the summer marketplace. Ambition notwithstanding, the extreme tonal shifts, while effective at keeping you invested in The Book of Henry to see what happens next, only half work in totality.

MOVIE REVIEW: The Sea of Trees

Cloying as it may be to some, “The Sea of Trees” still contains a poetry and a message of forced reflection and vitality with incorporeal nudges. These are touchy musings, for sure. Audiences that have the reflective capacity for tapping into those feelings and fears will appreciate this effort and the dedicated performances. Close-hearted and discomforted cynics that do not will flatly dismiss it instead and tell you (and it) to keep your feelings to yourself. This writer is openly capable of being in the first audience welcoming the deep thoughts.

MOVIE REVIEW: While We're Young

Folks, I have to come right out and warn you that this going to more of a blog post than a movie review, but it will count for both. I just watched Noah Baumbach's new film "While We're Young" and I learned a lot about myself, but not all in a good way. Through the title of this website, I say that "every movie has a lesson." That's my hook and that's the lens I see movies with and I stand by it. Seeing this film tonight was the kind of challenging and humbling experience I need as an amateur movie critic from time to time.

MOVIE REVIEW: Birdman

When Keaton's perfection is combined with the film's bracing, topical, and strong social commentary on Hollywood, Broadway, acting, fame, and celebrity for this different modern world, "Birdman" becomes even larger of an achievement for Mexican director and Academy Award nominee Alejandro Gonzalez Inarritu. Subtitled "The Unexpected Virtue of Ignorance," this new film will earn a high place on many year-end lists for one of the year's best.

MOVIE REVIEW: St. Vincent

Bill Murray, at his age and at this end of his career reinvention as a serious actor over the last two decades, has reached the point where he is unarguably great in everything he touches, right down to silly cameos and web videos. In his new film, “St. Vincent” his powers of talent and charm have merged and reached a new peak.

EVERY MOVIE HAS A LESSON

by Don Shanahan

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