“The One I Love” is a thinking film that skews much closer to the romantic comedy vein of its trailer, but offers just enough icy and sobering implications to get that hamster wheel moving in your head that will nudge you ever so slightly to the edge of your seat. You won’t be gripping your arm rest or partner’s hand in tension. Rather, you’ll be retreating to crossed arms of curiosity and chin-rubbing intrigue and attention. Clever smiles outnumber dropped jaws.
Read MoreAfter taking in "Sin City: A Dame to Kill For," the second collaboration between legendary graphic novel creator Frank Miller and virtuoso technical filmmaker Robert Rodriguez, I feel like coining a new term. "Sin City: A Dame to Kill For" is a "genre-buster," meaning that it is a film that pushes far beyond the boundaries of its generally assigned category. In my opinion, to be a genre-buster, you have to break the confinements of at least three genres. Two isn't enough. Two is an "action comedy," "romantic fantasy," or etc. and those are plain as day and too easy. You've got to mix three and do it well.
Read More"Guardians of the Galaxy," on paper, was supposed to be that movie that tested the studio's resilience and ability, yet it's aiming to be the big August hitter for the summer of 2014. Ladies and gentlemen, it will win that title and then some. As out-there as it is, this is the most flat-out fun a Marvel movie has ever been. "Captain America: The Winter Soldier" might be the better overall film and "The Avengers" will always be the first cornerstone off this combined universe's monumental success, but "Guardians of the Galaxy" might be the movie you keep watching year after year as a new favorite. The catchy and entertaining trailers nearly don't do it justice.
Read MoreWoody Allen has the Midas touch of artistic credibility. Non-actors become notable presences. No-name actors become discovered somebodies. Name actors look better than they normally do and great actors get even greater, even when the films aren't that great. In his latest film, "Magic in the Moonlight," Allen bestows that touch on one great actor and one name actress with Colin Firth and Emma Stone as his leads.
Read MoreDisclaimer: I pulled this trick out a few years ago in comparing “The Expendables” with “The Expendables 2” where, because of the incredibly repetitive scenarios between the original and the sequel, I literally wrote on top of the first review for the review of the second movie. After seeing “22 Jump Street,” a movie that intentionally aims to copy its first effort, I knew this was a good chance to have a little editor’s fun again. Follow the strike-throughs below for edits and the bold writing for new language inserts. Other than that, the review for the first film might as well be the review for the second film. It’s that similar.
Read MoreWith the end of June, we've come to the halfway point of the traditionally long four-month summer movie season. In my opinion, even though the box office receipts keep rolling in here and abroad, May and June brought more disappointments than winners. The offerings of July and August aren't usually as strong as May and June, but maybe this year will be different.
Read MoreAs busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, sometimes a simple sentence or two from a friend says it all. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. In a possible new review series, I'm opening my site to friend submissions for quick-hit movie reviews.
Read MoreHere are my picks for the "Best of 2014 (so far)" with a halfway count of the five best instead of the full ten. It must be said, that I have far from seen every possible 2014 film entry. Plenty of mainstream and arthouse films have eluded me and my busy schedule, but there is enough to talk about here. As always, in matching with the theme of my website, I couple the best-so-far selection with the film's best life lesson. Enjoy!
Read MoreFans of the website will know that "Every Movie Has a Lesson" frequently collaborates with "Day at the Movies" run by Lubbock, Texas blogger +Tim Day. We commonly compare our reviews, interests, projects, and tastes to both of our groups of followers. As a staff member of Lubbock Christian University, Tim hosts a one-hour weekly radio show on Chap Radio to showcase "Day at the Movies" and share his opinions on recent theatrical releases, upcoming films, the latest movie gossip, new Netflix and Redbox recommendations, and much more.
Read MoreAll the buddy cop measurements and prerequisites are plugged into the new film "Let's Be Cops," which opens this coming August. I was lucky enough to catch a very advance screening of the film. The writers here, led by director Luke Greenfield of the forgettable "Something Borrowed," have the potential of a unique idea and a decent pair of leads to work with, but it's the real cop stuff that bogs the film down.
Read MoreBuyer beware, do not go into this movie hungry. You will chew the arm off of the person next to you and that's never a good date move (unless you're watching a zombie flick, which this is far from). Folks, do the dinner before the movie on this one, ladies and gentlemen, or you will willingly overeat afterwards. I warned you now. You'll see.
Read MoreThe successful revitalization brought by “X-Men: First Class” and the unfaded star power of Hugh Jackman have brought us to “X-Men: Days of Future Past.” Original series director Bryan Singer, fresh from “Jack the Giant Slayer,” and “X-Men: The Last Stand” screenwriter Simon Kinberg have returned to correct old mistakes, untangle the knots, and realign this previously failed franchise for a healthy new lease on cinematic life and relevance.
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