When a creative person gets the fullest chance to tell a piece of their autobiographic story through their chosen medium, that’s a special result worth celebrating. Lauren Caster is wonderfully granted that very freedom as she writes, directs, and stars in the gracious independent film Rhythm Is a Dancer.
Read MoreThanks to their committed and brave performances of showing life’s difficulties parallel to the carefree and united fun, the question isn’t “will-they” or “won’t-they” like other rom-coms. It’s should they because of the prudence being paced so smoothly and realistically next to the pleasures. Built that way, any fulfillment found in it all becomes much more rewarding.
Read MoreIn the film critic and podcast circles I’ve come to be a part of, sometimes you find fascinating peers and, other times, they find you. Through my station at Ruminations Radio Network’s Cinephile Hissy Fit podcast, I was recruited by the hosts of PopFilter’s “Movie of the Year” podcast to guest on an episode breaking down a hit from the year 2006. The featured film is the indie darling Little Miss Sunshine. On the show, the hosts and guests score points for good jokes, intelligent responses, or correct trivia answers.
Read MoreThough packaged with plenty of crassness and off-color humor, we’re here for the sideline sweetness and the infectious nature of the approachable sport. If pickleball seems preposterous for those unsure or unaware, like it’s nothing more than ping pong with feet, imagine it packaged as a formulaic sports movie. Like the sport itself, The Dink is a light bounce and an easy good time without anyone over-exerting themselves.
Read MoreMost scientists in the SETI (search for extraterrestrial intelligence) or METI (messaging to extraterrestrial intelligence) fields bank on theories that any real evidence we, as a planet, will get will come from signals more than flying saucers and little green men arriving on Earth. Similar to Contact, Clara, and Ad Astra that came before it, The Outer Threat follows that more plausible and intelligent path and still develops solid suspense.
Read MoreOne has to keep in mind that Leah McKendrick’s film is a romantic comedy, meaning, according to even the most refined and reinvented versions of the genre’s formula, a sticking point born from preventable mistakes or an unwashed Big Lie likely exists. In the case of Voicemails from Isabelle, the finagling of fate belongs to Wes. Like many rom-coms, a horses-holding “Let me explain” is needed.
Read MoreWith the grand release of Toy Story 5, Mike Crowley of the You’ll Probably Agree website and YouTube channel wanted to look back at the entire series while giving an initial review of the fifth entry. Joining as guests were fellow Chicago Indie Critics members Al and Linda Lerner of Movies and Shakers. Representing three different generations and critics, we each brought a unique perspective and appreciation to all things Toy Story.
Read MoreSimone Ashley’s shifting allure of evocativeness and conviction deflects predictability and shields the suspense very well, even if the rest of the cast cannot shake their tropes and witnesses and puppeteers at times. Some may argue that This Tempting Madness does not reach a radical enough tipping point to contend with that previous era of thrillers. Possibly, but Montgomery chose the wavelength of paranoia over titillation and distilled her own disturbing vibe just fine.
Read MorePut a good cast to root for in any a disaster scenario, and we’re intrigued. Hire Hell or High Water director David Mackenzie, and we’re filling up the popcorn bucket to witness something with edge. Unfortunately, Fuze erratically combines multiple tonal narratives and throws in an extremely misguided third plotline to smear whatever doesn’t explode when the bomb detonates.
Read MoreMike Osborn and Curtis Menke of the irreverent and laugh-filled podcast “Let’s Talk About Flix are weekly appointment laughs for me, and pod I support on Patreon. Mike and Curtis have become two full members of the Chicago Indie Critics group that I co-direct. For the third year in a row, I was honored to be asked on as the return guest during their “Patreon Picks” month. For that guest’s choice theme, I brought them 1999’s Deterrence.
Read MoreJay Kelly muses on the celebrity lifestyle without preening as a glorified vanity project solely existing to shower bouquets on George Clooney and give him a fun co-star he can shoot hoops with in between trailers on a lavish European shoot. Because of its striking amplification of the titular legend’s insecurities and the people affected by them, Baumbach’s film finds refreshing drama amid all the comedic frolic of watching a famous person navigate a little bit of the public wild to better define a work-life balance.
Read MoreThe film’s energy comes from how Candy’s co-stars and collaborators talk about him. Leaning heavily on his old SCTV mates Eugene Levy, Dave Thomas, Catherine O’Hara, Dan Aykroyd, and the continuing Murray, no one is reading from an encyclopedia entry or reciting a biography. This circle of talent speaks about living those moments and what it was like to collaborate beyond when the cameras were rolling. Their asides and memories help frame a fuller picture of John Candy’s mindset and spirit.
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