Just like with Melody, patience is required and cynical stigmas need to be shelved for this family-friendly dramedy. Be patient because brilliance will be revealed and faith will be rewarded by an empathic engine of a film that demands to be required viewing– and maybe even prescribed penance– for several ages and generations of privilege circulating society today. What this girl and this movie want to say demands to be seen and heard.
Read MoreEven though a fair share of great liberties were taken to change how the actual Dating Game episode played out, the palpable lift and principled spotlight given to Sheryl’s perspective and struggle raise Woman of the Hour above a plodding true crime story or a period-era costume party. Kendrick hammers the problematic and deadly ordeal home by exploring the evidential threads and dangerous effects of two very different minefields brought together. Stone-cold seriousness hides behind the bright lights and clapping audiences, and any fluff is soaked in effective poison.
Read MoreThe centerpiece scene is a climactic living room sitdown where old wounds are aired out and cried over with bracing lucidity. By the end of that scene (and later after the entire movie), an engrossed and impressed viewer could fill a clipboard or two tally-marking the scoring balance between earnest apologies against attempted and failed compromises. These exposed fractures in His Three Daughters are fascinating in their complication and frankness beyond the typical grief management narratives. No one ever said catharsis was easy to acquire, and that is the case here.
Read MoreReunited for the first time since 2008’s Coen Brothers romp Burn After Reading, George and Brad are the perfect men to play these bristled rogues and turn them into winning studs to root for and follow. Between the two of them, it starts with their matinee idol mugs radiating body language. Both Supporting Actor Academy Award winners can act with their eyes better than most of their peers and contemporaries can with their entire bodies and voices.
Read MoreFans of sports movies know Hollywood loves inflating unknown underdog stories. For example, most folks never heard of the likes of Rudy Ruettiger or Lane Frost before movies like Rudy or 8 Seconds came along to draw cheers and tears. Their success proves it’s not always the size of the legend that always counts. Even so, the grand style of lionizing hero worship is the farthest thing from director Lee Cipolla’s mind.
Read MoreConsequently, The Insitigators comes off like an unbalanced buddy comedy trying to chirp jokes during a grizzled crime thriller. Sure enough, it’s wonderful seeing Casey Affleck shuck the morose persona he’s been leaning on for the last decade across films to play the loquacious rascal. Unfortunately, he’s all by himself. With known charisma and ability in either of those aforementioned subgenres, Matt Damon feels like a waste of talent to play the unlaughing and tame Rory next to Casey’s Cobby.
Read MoreHowever, at some point, Space Cadet has to realize they are planting this character in a profession that demands high qualifications for a reason. For all the wonder surrounding being an astronaut, it’s a job that has life and death risks and consequences. Real astronauts busted their tails and became experts in their field legitimately. Space Cadet asking us to swallow their narrative with Rex besmirches that revered history and belittles the importance of program to a borderline disrespectful level.
Read MoreUnlike his musclebound beefy action star peers of the 1980s and 90s, what made Axel Foley an entertaining and enduring character for Eddie Murphy was his riffing eloquence with all matters of verbal communication. The fast talker was the best bullshitter in the business. As long as Murphy could resummon that fluent tempo in Beverly Hills Cop: Axel F– that crass, disarming, and profanity-soaked gift of gab– and keep it with some stamina for another lavish action comedy, all that was necessary would be fulfilled. Well, queue the popular wrestling crowd chant, because he’s still got it… and then some!
Read MoreIf everything and everyone fell into place at the same time, we wouldn’t have a rapturous movie to enjoy, meaning the patience for that chase of schedules is part of the romance genre’s whole appeal. Directed by a returning professional in the department of silver screen love, Richard LaGravense, A Family Affair understands these principles well and bends them to its will and modern sensibilities.
Read MoreGuy Friends circles its wagons and makes the fresh duo of Jaime and Sandy the core of the film. The main plot and their gestating sample examination of friendship establishment are shot in black-and-white by writer-director Jonathan Smith and mirror little full-color vignette testimonies of real people describing how they became best friends. In less witty hands, these arcs of burgeoning female connection and the well-worn looking-for-love plight would conveniently be vanquished in a grandiose and, in all likelihood preposterous, rom-com climax involving some kind of public shenanigans.
Read MoreThis baked-in layer of brains amid the brawn in Hit Man is credited to Linklater and Powell working together to punch up a screenplay together allowing fun to frolic next to intrigue. All of the nerdy philosophy would normally feel like serendipitous mumbo-jumbo tacked on a less intelligent premise. Instead, Hit Man’s slick polish and playful panache combine to create witty smartness seething with sensational sexiness at a level higher and hotter than we have seen in years with romantic comedies and crime capers. This date night delight is just what this summer season needs, be that in a theater or on your Netflix couch.
Read MoreNot to equate an actress to a videogame or pro wrestling, but Anne Hathaway has a unique and refined moveset as a performer. Her most front-and-center and patented gimmick has always been her wide and radiant smile. When all else fails, Anne can pull that out and win just about any heart. Strategically, though, she has an even stronger bread-and-butter maneuver, and it comes out distinctly in her new film The Idea of You. It’s the “look-away.”
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