Spider-Man: Homecoming counts as a clean slate for Peter Parker’s web-slinger. Now nestled into the established Marvel Cinematic Universe, Tom Holland is a true teenage Spider-Man, one that was never successfully conveyed by two previous franchises and their over-aged actors. Aiming to please and bursting with effervescent zest at every flip, swing, and turn, John Watts’ Spider-Man: Homecoming succeeds as a brand new jumping off point for a character that badly needed course correction.
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Plenty of regular everyday people make New Year's Resolutions, but I think bigger entities, namely movie makers and movie moguls, need to make them too. Annually, including this sixth edition, this is my absolute favorite editorial to write every year. I have fun taking the movie industry to task for things they need to change. I'm sarcastic, but I'm not the guy to take it to the false internet courage level of some Twitter troll. This will be as forward as I get all year.
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ANNUAL UPDATE: I'm here for an editorial on the anniversary of 9/11 to showcase a few movies, both serious and not-so-serious, that speak to that day whether as a tribute, remembrance, or example of how life has changed since that fateful day. Enjoy!
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The absolute proof of the intact Marvel formula is the elevated scope and confidence given to "Captain America: Civil War." Spinning as a dual sequel to 2014's "Captain America: The Winter Soldier" and last year's "Avengers: Age of Ultron" and following the darkly-operatic-yet-similarly-premised competitor "Batman v. Superman: Dawn of Justice," this film survives a few glaring imperfections and overweight ambition to maintain the Marvel flagship. It plays it safe because it knows safe works for their brand and satisfies the masses. They know they're getting their cash registers out and hiring extra accountants. To others looking for more risk, you've come to the wrong place.
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As I say every year, plenty of regular everyday people make New Year's Resolutions, but I think bigger entities, namely movie makers and movie moguls, need to make them too. Over the life of this website, this is my absolute favorite editorial to write every year. I have fun taking the movie industry to task for things they need to change. I'm sarcastic, but I'm not the guy to take it to the false internet courage level of some Twitter troll. This will be as forward as I get all year.
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Like all of the failed live-action fairy tale remakes, the two largest missing components are restraint and charm. The timeless stories being attempted by films like "Pan" have no idea how to let a good narrative flow build or a poignant moment breathe before stepping to the next unrelenting set piece. The original written sources of these films have that restraint and quality. Blasts of action and sound have replaced subtle imagery and brevity. "Pan" lacks any and all charm to enamor the audience into what made Barrie's tale lovable and enchanting. Charm is replaced by dissonance and pandering.
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UPDATED: September 11, 2015 with updated and new movie inclusions (after original post on the 10th anniversary in 2011) and a new section of faded and relaxed sensitivity. I plan to make this an annual post and study.
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A movie like "Whiplash" shouldn't do all of what it succeeds at, but it does. Before you even read what it's about, be assured that this film is a delicious piece of entertainment from top to bottom. This is a rare treat combining remarkable acting, music, energy, and twists that will follow you out of the theater. As of the calendar turning to November, this is the best film this writer has seen this year. This is the new film to beat, as unexpected as that sounds.
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As much as this new take still feels rehashed on many levels, this sequel is the real deal as an exciting comic book adventure and spectacle. "The Amazing Spider-Man 2" is ideally suited to be the blockbuster opening act of the summer of 2014. It indeed does embody a second film that is narrowly better than the first film.
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