That crucial third act would make a heck of a short film on its own. If we could fast-forward to there, we would be in business. Instead, we get the Eastwood hero worship vanity project parade. Invisible yet incredibly overt, The 15:17 to Paris freely flies its flags of god-fearing conservative morals, manly superiority, unwavering courage, dreams of glory, and military brotherhood. The content isn't lowered for Eastwood’s credibility, but the execution is, even if there is an audience for this sort of thing.
Read MoreThe most crucial dramatic trait for films about exploration is a drawing a strong reaction to the unknown from the audience. Whether it’s a historical story or a fantastical one of fiction, the film has to evoke awe, be that stirring swells of inspiration or jarring feelings of danger. It has to move you, not bore you. If a film can’t achieve that quickened pulse or heavy heart, it’s little better than a travelogue on cable television or a curriculum video they show soon-to-be-bored high school students in Social Studies class.
Read MoreThree top-notch film critics of the Chicago Independent Film Critics Circle survived the miracle flight recreations and Clint Eastwood's soft touch of "Sully," starring Tom Hanks. Hear the mixed reactions after an advance screening from Jon Espino, Emmanuel Noisette, and myself!
Read MoreANNUAL UPDATE: I'm here for an editorial on the anniversary of 9/11 to showcase a few movies, both serious and not-so-serious, that speak to that day whether as a tribute, remembrance, or example of how life has changed since that fateful day. Enjoy!
Read MoreCelebrated director Clint Eastwood is no stranger to biopics based on historical figures, making him an ardent practitioner of hero worship. Because the 86-year-old, four-time Oscar winner classically directs with a soft hand and a comely tone, his brand of adoration consistently lands on the veneration half of the definition. Combining forces for the first time with another hero worship professional in All-American leading man Tom Hanks on “Sully,” you have double the cinematic potential of cherished devotion.
Read MoreDue entirely to his talent and appeal, two hours of Bradley-being-Bradley works and the film will rightly entertain at an acceptable superficial level. The subject is simple and the the risk is low. The food is pretty, the ensemble is smooth, and the cliches are pre-made. While "Burnt" offers a flourish or two to spark a little extra entertainment, it is far from the grass roots personal touch and smaller scale passion that was Favreau's "Chef" a year ago. "Burnt" is, in essence, more elitist and that requires you to be impressed, but only at a distance.
Read MoreUPDATED: September 11, 2015 with updated and new movie inclusions (after original post on the 10th anniversary in 2011) and a new section of faded and relaxed sensitivity. I plan to make this an annual post and study.
Read MoreTechnology may change in warfare but what doesn't change are the human themes. The dramas, successes, fears, and results of victories and failures still apply, only the scope and scale has changed. "Good Kill," the new film written and directed by Andrew Niccol, typifies that signature human impact of war. Reunited with his "Gattaca" muse Ethan Hawke, Niccol delivers a very timely and provocative slow boiler with a great deal to say about the current modern state of warfare.
Read MoreLet's put a bow on the 2014 Oscar race. Last night, I correctly predicted 16 of the 24 winners. In my final update of this year's Awards Tracker, here are the final tallies, Oscar winners, and my reactions. The Oscar winners in each category are in bold. See you next year for another data session and awards season!
Read MoreAlright, folks! I've done all of the research I can. I've read all of the tea leaves and broken down every race. I've made my detailed picks in seven columns and editorials over the past week. Here's my master list. In the three years of writing these Oscar nominations and following the data on my website, my prediction score has improved every year. Last year, I correctly guessed 20 of 24 awards up from 19 and 17 from the two years before. I'm gunning for another 20+ night again.
Read MoreIn this seventh and final post, we've come to the big one, folks. Here's my analysis and breakdown of the race for Best Picture. This is a close one, so read on! Let's do this! I've said it all season. Stick with me and I will win you your Oscar pool.
Read MoreIt's time to begin making my formal and official Oscar predictions. In this second post, we look at the musical and sound categories that include original score, original song, sound editing, and sound mixing. Let's do this!
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