Punch up the peril. Amplify the spectacle. Turn the big boys loose. That’s it. Should it really be that hard, especially when you pair the two most popular monster properties in cinema history? They’re billed as ancient enemies of a never-ending rivalry. Would it really be that difficult to stand back in Godzilla vs. Kong and “let them fight?” Evidently, it still is. Apparently, monsters are still dragged down by convolution and pesky people.
Read MoreAfter Gareth Edwards rebooted the legendary Japanese sea monster for a modern audience with a stern seriousness and hefty scope that destroyed all previous campiness connected to the character, this Michael Dougherty-helmed follow-up burns up all of that renewed credibility right away within the first half-hour on through to the exhausting end. Where’s the blame? That would be the humans because the behemoths really come out to play. Bad quippy comedy, nonsensical plot trappings, and unimportant character inclusions are the true weaknesses that defeat these monsters.
Read MoreIn returning to my "Movie Classroom" series of interactive whiteboard video reviews with new vigor, new skills, and new tools, I wanted to bring back and upload my old video attempts to my Every Movie Has a Lesson YouTube channel. In a massive file drop, I recently uploaded 29 of my past Movie Classroom videos from 2014, including winners like Whiplash and Birdman. Head over and reminisce on some fine films and commentary by yours truly.
Read MoreTo come right out and say it, this is more than a monster movie, and you will relish seeing why. To that degree, so little about “Colossal” is conventional, an appealing and commendable trait in today’s movie landscape. Satire and dark comedy do more damage than any kaiju stomping cities. Vigalondo and company are aiming for creative perversion and subversion of multiple genres. Peculiarity rules over spectacle with minimal loss of entertainment.
Read More“Kong: Skull Island” taps into the same definition of “spectacle” that applies to “Jurassic World” nearly two years ago. This ain’t your old “King Kong.” This is “go big or go home.” If you’re looking for the version steeped in awe and wonder, go watch the 1933 original. To expand the original’s wonderment with the best of today’s special effects, go watch Peter Jackson’s 2005 remake. If you want a rip-roaring roller coaster with no strings, rules, or heavy gravitas attached, you’ve come to the right place in 2017.
Read MoreANNUAL UPDATE: I'm here for an editorial on the anniversary of 9/11 to showcase a few movies, both serious and not-so-serious, that speak to that day whether as a tribute, remembrance, or example of how life has changed since that fateful day. Enjoy!
Read MoreAmazingly, I’m happy to report that this “Godzilla,” while actually having a trainwreck in it (two in fact), is not a complete trainwreck itself. This is a legitimate summer blockbuster in scale and in quality. The promised size and scope of monster carnage that the 1998 film failed to compellingly deliver and, honestly, we never thought we would see done right on the big screen is successfully accomplished in a big way. This new film makes “Pacific Rim” look as silly as it really is, “Transformers” look downright weak and tiny, and even makes the controversial city destruction final act of “Man of Steel” look like a knocked-over sand castle or two.
Read MoreAfter an extremely slow winter and spring 2014 movie seasons, we've finally come to the power part of the order filled with events, tentpoles, and blockbusters. Outside of "The Lego Movie" and "Captain America: The Winter Soldier," this year has been starved for a new hit. The front-loaded first half of the two-part summer season looks to change all that.
Read MoreBefore a full preview comes out, here's your calendar and checklist for films of coming to theaters in the early part of the summer movie season. Print this and slap it on the refrigerator. Always, check before you go for tickets as release dates shift all the time.
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