I cannot beat the drum for the word "timely" enough when it comes to Kathryn Bigelow's Detroit. Her follow-up to Zero Dark Thirty is a jarring yet important film that speaks volumes and draws numerous parallels from 1967 to 2017. As hard as it is to watch, it is equally essentially viewing that poses the challenges for progress, increased empathy, and improved dialogue on a multitude of racial, ethical, and societal issues that have not gone away in a half-century and beyond.
Read MoreFor a film like Detroit with difficult content thrust upon audiences to endure, this is not a place to seek entertainment or joy. Instead, Detroit is a challenge of cementing respect and achieving an empathy deeper than basic sympathy. Step into a beyond-cautionary tale of history that school books skipped or have forgotten. Let Detroit stir and inspire conversations. Let the emotions, good and bad, come and talk about them.
Read MoreANNUAL UPDATE: I'm here for an editorial on the anniversary of 9/11 to showcase a few movies, both serious and not-so-serious, that speak to that day whether as a tribute, remembrance, or example of how life has changed since that fateful day. Enjoy!
Read MoreUPDATED: September 11, 2015 with updated and new movie inclusions (after original post on the 10th anniversary in 2011) and a new section of faded and relaxed sensitivity. I plan to make this an annual post and study.
Read MoreTechnology may change in warfare but what doesn't change are the human themes. The dramas, successes, fears, and results of victories and failures still apply, only the scope and scale has changed. "Good Kill," the new film written and directed by Andrew Niccol, typifies that signature human impact of war. Reunited with his "Gattaca" muse Ethan Hawke, Niccol delivers a very timely and provocative slow boiler with a great deal to say about the current modern state of warfare.
Read MoreTwo-time Academy Award-nominee Liv Ullmann brought her new film, “Miss Julie,” to serve as the opening night film of the 50th Chicago International Film Festival on Thursday, October 9th. “Miss Julie” is based on the 1888 August Strindberg play of the same name and stars two-time Oscar nominee and rising star Jessica Chastain (“Zero Dark Thirty”), Golden Globe winner Colin Farrell (“In Bruges”), and fellow two-time Oscar nominee Samantha Morton (“Minority Report”). Both Ullmann and Farrell attended the Opening Night Gala in Chicago.
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