ANNUAL UPDATE: I'm here for an editorial on the anniversary of 9/11 to showcase a few movies, both serious and not-so-serious, that speak to that day whether as a tribute, remembrance, or example of how life has changed since that fateful day. Enjoy!
Read MoreCelebrated director Clint Eastwood is no stranger to biopics based on historical figures, making him an ardent practitioner of hero worship. Because the 86-year-old, four-time Oscar winner classically directs with a soft hand and a comely tone, his brand of adoration consistently lands on the veneration half of the definition. Combining forces for the first time with another hero worship professional in All-American leading man Tom Hanks on “Sully,” you have double the cinematic potential of cherished devotion.
Read MoreCloying as it may be to some, “The Sea of Trees” still contains a poetry and a message of forced reflection and vitality with incorporeal nudges. These are touchy musings, for sure. Audiences that have the reflective capacity for tapping into those feelings and fears will appreciate this effort and the dedicated performances. Close-hearted and discomforted cynics that do not will flatly dismiss it instead and tell you (and it) to keep your feelings to yourself. This writer is openly capable of being in the first audience welcoming the deep thoughts.
Read MoreOne could say melodramas take preposterous human mistakes and play them for dramatic effect. They challenge the audience to interpret how you would act defiantly or morally differently in the same situation. These films do so while still compelling you watch in hope for any semblance of a happy ending. To understand “The Light Between Oceans” is to understand melodrama. The themes of melodramatic journeys are meant to be arduous. In the medium of film, the clinchers that aid in the ability to embrace and appreciate a melodrama are its tone and the acting performances. “The Light Between Oceans” flourishes to accomplish both benchmarks.
Read More"Southside with You" is a date movie. It just happens to be about impossibly famous people. One of this film's many strong accomplishments is its ability to enamor and enchant you often to forget that the two main characters are the future President and First Lady of the United States of America. That is no small feat and one accomplished through flourishing grace from the filmmakers and magnetic allure from its lead performers.
Read MoreTo use a boxing term favored by commentators, “Hands of Stone” has a “big fight feel.” The ferocious energy and volatile personality of Edgar Ramirez’s Roberto Duran emits enough heat to liquefy lead. Add in the smooth and suave Sugar Ray Leonard, played by a game Usher Raymond IV, as the titan to topple and the effect is multiplied. “Hands of Stone” doesn’t break any new ground, but it operates with low mistakes to be a step above competent and solid within the sports film genre.
Read MoreLeave it to renowned filmmaker Werner Herzog to hit you with a buffet's worth of food for thought. His musings on the origins of the internet and its growing ramifications, both positive and negative, on this modern world are sternly served in his new documentary "Lo and Behold, Reveries of the Connected World." Scintillating one minute and sobering the next, this film is required viewing for anyone who has seen how far we've come with connectivity and wonders fearfully just how high this Icarus of technology can fly towards the Sun before it melts and crashes back to Earth.
Read MoreAs a clever and unusual experiment, “Level Up” maintains a sobering edge of straight-faced menace. Set to the electronica of the British musical duo Plaid, any sense of humor is present purely as a WTF moment of reminder of this scenario’s gonzo craziness. Targeting the metaphor of video game violence, once the clues bear fruit and darker confrontations ensue, “Level Up” earns your twisted interest and delivers on its high-concept potential with an adequate amount of thrill.
Read MoreLaika Entertainment, the Portland-based and Phil Knight-backed stop-motion animation studio that brought you “Coraline,” “ParaNorman, and “The Boxtrolls” have outdone themselves with their newest effort. “Kubo and the Two Strings” leaps off the screen with an original foreign folk tale that employs a rich originality and builds a strong base of emotional connection that rivals its Disney/Pixar contemporaries. Everything about its surface is finely crafted and creatively awe-inspiring. Who and what lies behind this film’s skin are its most egregious flaws that keep it from being a justifiable, full-fledged classic.
Read MoreFive top-light film critics of the Chicago Independent Film Critics Circle went down to the seedy parts of West Texas and lived to tell about it after an advance screening of the crime thriller "Hell or High Water." Enjoy the hot takes and breakdowns of Leo Brady, Pamela Powell, myslef, Emmanuel Noisette, and Jim Alexander!
Read MoreYou know the "Goodfellas" tropes: excessive narration, ordinary people getting rich or powerful doing extraordinary and often illegal activities played by colorful actors or actresses, dramatic license spinning a likely lesser true story, a kicking period soundtrack, pervasive drug use, freeze-frame shots to stamp moments, and a tidy epilogue of comeuppance. Imitation may be the sincerest form of flattery, but it is also lazily standing on the shoulders of giants. That’s the impact and existence of Todd Phillips’s “War Dogs” in a gun… err… nutshell.
Read More”Blood Father” resurrects the cagey and fierce Mel Gibson. Languishing on an invisible black list, the “Braveheart” Oscar winner is living in a new age demographic and hoping to crack back into the larger spotlight. Mel might not be able to leap through dozens of stunt sequences anymore, but the man has lost none of his psychological vigor or resolve. His brand of crazy still works in this throwback actioner.
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