In spite of this, some of us will crack our shells of disenchantment, swell with whimsy, and make the most of the cathartic reflection that comes from this grand journey. They will see the holes and seek to fill them with goals of betterment for themselves and, hopefully, others, especially after watching plenty of aspirations in Here not turn out positively for all involved. Here may not be the fully judicious beacon it fashions itself to be, but the thoughtfulness and plenty of poignant care it attempts with its lyrical finesse is still worth welcoming and appreciating.
Read MoreYet, we forget about Tom Hanks, “America’s Accomplished Actor.” We forget the two-time Oscar winner wears that very shiny sash as well. When committed, and it’s hard to cite a movie or role where he isn’t, he can convince us of any emotion, behavior, portrayal, or story arc. Hanks pulls off that kind of magic with A Man Called Otto for Finding Neverland and World War Z director Marc Foster. We root for the charmer, even when we know the charmer is there inside of something repulsive.
Read MoreProcessing such delirium for 159 minutes from what could have been 240, Elvis is an opus of exhaustion. Luhrmann’s fever dream veers from campfire fable to therapy session and is as gaudy as its subject. You don’t just succumb to the Aussie filmmaker’s trademark visual and aural excessiveness. You submit to it, because, goodness gracious, it’s Elvis Aaron Presley and the stature of his legend on this display is indomitable.
Read More100% of you right now are reading this review via the internet on either a computer or a mobile device. Like it or not, you and I leave digital footprints everywhere we go. The new pseudo-dystopian thriller “The Circle” incites the over-obvious social media and data-mining fears of our present surveillance society of sharing and shines them up into a shiny and engrossing yarn of mainstream entertainment. Fiction or not, it’s the kind of film that may or may not irk you enough to take that Facebook sabbatical you keep saying you’ll do.
Read MoreThree top-notch film critics of the Chicago Independent Film Critics Circle survived the miracle flight recreations and Clint Eastwood's soft touch of "Sully," starring Tom Hanks. Hear the mixed reactions after an advance screening from Jon Espino, Emmanuel Noisette, and myself!
Read MoreCelebrated director Clint Eastwood is no stranger to biopics based on historical figures, making him an ardent practitioner of hero worship. Because the 86-year-old, four-time Oscar winner classically directs with a soft hand and a comely tone, his brand of adoration consistently lands on the veneration half of the definition. Combining forces for the first time with another hero worship professional in All-American leading man Tom Hanks on “Sully,” you have double the cinematic potential of cherished devotion.
Read MoreTo sneak preview a later life lesson in this review, you could trade the Greek demographic of the central Portokalos family in "My Big Fat Greek Wedding 2" with any other American immigrant nationality and get much of the same effect. Nearly all people are being both defined by and embarrassed by their family. Whether you're Greek or not, you will watch both original and the sequel and poke fun at the similarities and differences. Such is an easy draw, but that charm has limits in a been-there-done-that sequel.
Read MoreMore and more each year, the Golden Globes have become more an a popularity contest than a true precursor to the Academy Awards. What you're watching on TV is a party thrown by the Hollywood Foreign Press Association and hosted by Ricky Gervais in an effort to be loved and share some love. To its credit, the awards show still garners legitimate attention and ratings. The winners do get a pretty positive rub and the marketers gain a few more "Winner of..." graphics to put in the newspapers next to their films.
Read MoreSewn with care to document an unopened storybook file on little-rememberd, forgotten Cold War heroics and theatrics, "Bridge of Spies" is the kind of historical drama that Steven Spielberg can make in his sleep. In a way, this is Spielberg's throwback answer to "Argo," three years after Ben Affleck's film swept the top Oscars away from Spielberg's own "Lincoln." He doesn't need that one-upmanship for his ego. "Bridge of Spies" is more a reminder that the master is still capable of making a winner with ease.
Read MoreIt's time to make my formal predictions. In this sixth post, we are deep into the major award categories. Here are my picks for Best Supporting Actor and Best Actor. Stick with me and I will win you your Oscar pool. Let's go!
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