MOVIE REVIEW: Sing

The new animated musical “Sing” from Illumination Entertainment bills itself as containing more than 85 memorable tracks from legendary performing artists and one new original song collaboration from Ariana Grande and Stevie Wonder. When you divide the 110 minutes of the film by 86 songs, that averages out roughly to one song every 78 seconds. A mashup like that plays well as a recurring Jimmy Fallon/Justin Timberlake bit on late-night television, but it’s exhausting and tiresome when stretched to nearly two hours.

MOVIE REVIEW: War Dogs

You know the "Goodfellas" tropes: excessive narration, ordinary people getting rich or powerful doing extraordinary and often illegal activities played by colorful actors or actresses, dramatic license spinning a likely lesser true story, a kicking period soundtrack, pervasive drug use, freeze-frame shots to stamp moments, and a tidy epilogue of comeuppance. Imitation may be the sincerest form of flattery, but it is also lazily standing on the shoulders of giants. That’s the impact and existence of Todd Phillips’s “War Dogs” in a gun… err… nutshell.

MOVIE REVIEW: Pete's Dragon

Blooming out of a cradle of artistic and narrative perseverance, it is clear a philosophy of great care and pleasant patience was given to “Pete’s Dragon” by Lowery and company. The film enhances the magical charm audiences remember from the original with newly gained maturity to operate as a loving family drama and touching adventure of friendship. It is a welcome and calming addition of heft painted by that superb idyllic tone. The wonderment never overplays its moments.

MOVIE REVIEW: The Program

Creating entertaining biopics about a universally disgraced figure are a hard sell under that key word of "entertaining." If they attempt to create sympathy, a duel of alienation and bias can arise. A good, thought-provoking movie has to fearlessly dig deeper. As Van der Rohe is attributed to saying, "the devil is in the details." Exposing the sordid and untold details of what led to the subject's defamation is where your film gets interesting. The rise and fall of champion cyclist Lance Armstrong is fertile ground and a fresh wound that has yet to be solved. "The Program," directed "Philomena" and "The Queen" Oscar nominee Stephen Frears, pedals uphill in attempting to shine a light on the dark details.

EVERY MOVIE HAS A LESSON

by Don Shanahan

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