For their 137th episode, two Smith-loving film critics, two calculated dads, and two methodical teachers, Will Johnson and Don Shanahan, have long circled the next David Fincher movie on the calendar, and it's finally here. The Killer starring Michael Fassbender is circulating on Netflix and making the rounds with awards season. We talk about the rock-solid film and the razor sharp people who made it.
Read MoreAre my reviews too long to read? Do you want something you can watch or listen to instead? Check out my "Movie Classroom" video series. Hot off the processor, here's my second and newest whiteboard video version of my complete movie review of Alien: Covenant on the Every Movie Has a Lesso YouTube channel! Like and subscribe!
Read MoreDesigned by H.R. Giger and manifested by Oscar-winning special effects puppetry, the unforgettable xenomorph creature that debuted in 1979’s Alien lunged with more menace than suddenness. The acid-dripping extraterrestrial was an overpowering stalker. Fast-forward 38 years to Alien: Covenant, and the CGI-boosted effects capable today have accelerated the monster’s lethal velocity to an unhinged and downright bonkers level. Let me tell you, that’s a dandy of a jolt.
Read MoreWhen it comes to crime families in movies, any contenders and pretenders that want to be taken seriously are kissing the Corleone ring of “The Godfather” trilogy. That’s not happening with the Cutler clan in Adam Smith’s “Trespass Against Us.” As a mishmash of trailer park trash puffing their chests to operate with supposed principles, they occupy the polar opposite end of the glamorous spectrum of organized crime. Call them an “Irish fugazi,” if you will, complete with their own membership rings and cracks in the hierarchy.
Read MoreTwo founders and directors of the Chicago Independent Film Critics Circle felt the romantic power of "The Light Between Oceans" from director Derek Cianfrance and starring Oscar contenders Michael Fassbender, Alicia Vikander, and Rachel Weisz. Enjoy the first impressions of myself andJim Alexander of The Movie Blog and The Young Folks!
Read MoreOne could say melodramas take preposterous human mistakes and play them for dramatic effect. They challenge the audience to interpret how you would act defiantly or morally differently in the same situation. These films do so while still compelling you watch in hope for any semblance of a happy ending. To understand “The Light Between Oceans” is to understand melodrama. The themes of melodramatic journeys are meant to be arduous. In the medium of film, the clinchers that aid in the ability to embrace and appreciate a melodrama are its tone and the acting performances. “The Light Between Oceans” flourishes to accomplish both benchmarks.
Read MoreAfter two movies of turn-back-the-clock course correction, it is fair to rank the "X-Men" series right next to "The Fast and Furious" as a film franchise that was derailed, left for dead, and since rescued with a filmmaking resurgence. "X-Men: First Class" introduced new youthful vigor and was followed by the return of original franchise steward Bryan Singer for the slate-wiping "X-Men: Days of Future Past." The latter film grossed more than double any of its franchise predecessors and enabled the series to pass the torch from the seniors to the juniors. Flush with success, good graces, and a new lease on life, "X-Men: Apocalypse" arrives with the goal to top everything that's been done in 20th Century Fox's offshoot shingle of a Marvel universe.
Read MoreThe 88th Academy Award nominations will be announced tomorrow morning, January 14, 2016, hot off of the weekend's 73rd Golden Globe awards. I've been following the full awards season over on my Awards Tracker page. Using that data as the tea leaves and a truckload of hunches, I'm going to attempt to closely predict the Oscar nominations for the "Big 8" categories for the third year in a row.
Read MoreMore and more each year, the Golden Globes have become more an a popularity contest than a true precursor to the Academy Awards. What you're watching on TV is a party thrown by the Hollywood Foreign Press Association and hosted by Ricky Gervais in an effort to be loved and share some love. To its credit, the awards show still garners legitimate attention and ratings. The winners do get a pretty positive rub and the marketers gain a few more "Winner of..." graphics to put in the newspapers next to their films.
Read More"Steve Jobs" chronicles soul-bearing small measures of the real man behind the public persona of genius. The blood feuds and many glorious shouting matches deliver one narrative bombshell after another. Using a unique three-act structure, the artistic result is nearly perfect. Superior to its peers in so many areas of technique and performance, "Steve Jobs" stands boldly as one of the finest films of 2015.
Read MoreThe successful revitalization brought by “X-Men: First Class” and the unfaded star power of Hugh Jackman have brought us to “X-Men: Days of Future Past.” Original series director Bryan Singer, fresh from “Jack the Giant Slayer,” and “X-Men: The Last Stand” screenwriter Simon Kinberg have returned to correct old mistakes, untangle the knots, and realign this previously failed franchise for a healthy new lease on cinematic life and relevance.
Read MoreIt's time to make my formal predictions. In this sixth post, we are deep into the major award categories. Here are my picks for Best Supporting Actor and Best Actor. Stick with me and I will win you your Oscar pool. Let's go!
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