But all of those lofty intentions will not be automatically transcendent for everyone. Let me say it like this as delicately as I can. The level of your Christian faith, or lack thereof, will formulate your reaction, appreciation, or acceptance of “Silence.” It is an agonizing personal test for an audience, just the same as it is for the characters on screen. This will either be a soul-rattling testament or maddening torture.
Read MoreWith a family-friendly PG rating, “Hidden Figures” becomes an instant must-see film for both classrooms and living rooms. Boy or girl, man or woman, black or white, any audience member who has ever marveled at the Space Age of our national history will find much to love in Theodore Melfi’s follow-up to “St. Vincent” adapted from Margot Lee Shetterly’s nonfiction book.
Read MorePlenty of regular everyday people make New Year's Resolutions, but I think bigger entities, namely movie makers and movie moguls, need to make them too. Annually, including this sixth edition, this is my absolute favorite editorial to write every year. I have fun taking the movie industry to task for things they need to change. I'm sarcastic, but I'm not the guy to take it to the false internet courage level of some Twitter troll. This will be as forward as I get all year.
Read MoreIn the same taping as our back-and-forth boosting or spiking "Passengers," host Ian Simmons of Kicking the Seat brought a group of film critic peers to put a bow on 2016. Ian, David Fowlie of Keeping it Reel, Emmanuel Noisette of Eman's Movie Reviews, Harold Egbo, myself, and a pre-taped Pat McDonald of Hollywood Chicago came together to answer a few key pre-selected questions and compare our reflection on the year that was.
Read MoreCapping off their inaugural year, the members of newly-formed Chicago Independent Film Critics Circle, of which I am a director and co-founder, have announced their nominees for their first annual CIFCC Awards. Their voting membership of 28 members strong completed ballots over the holidays with the goal of three final nominees in 25 categories. They will commence a final round of voting ending on January 1, 2017 and host an invitation-only awards banquet at Transistor Chicago on January 8, 2017.
Read MoreMovies are an offspring of plays. What started on theater stages can now step into a wider world. Locations can remove the boundaries and improve an immersive story, but the human performances are still what matters most. Words have power regardless of setting. “Fences,” directed by Denzel Washington, is one of the finest and most seamless examples of the power of performance being translated from the stage to the screen.
Read MoreSay hello to Mr. and Mrs. Jake and Kimberly Narens! Kim is a former co-worker of mine from back in the day. She was the art teacher and I was a fourth grade teacher at the Lloyd Bond campus of Chicago International Charter Schools during its inaugural school year in 2009-2010. We have both moved on to other jobs since then and also become first-time parents. While I am still in Chicago, she and her husband now call the sultry heat of Chandler, Arizona home. I'm guessing they don't miss shoveling snow.
Read MoreIn a tonal shift from the trumpeted and showy norm of Oscar bait, “Lion” is yet another performance-driven dramatic film of 2016 entering this holiday season favoring prudence over theatrics. The feature film debut of award-winning commercial director Garth Davis, is a love letter instead of a power ballad that delivers genuine emotional heft all on its own, without the need to manufacture it for the sake of a movie.
Read MoreSeveral Chicago film critics got together earlier this week for a "year-end" roundtable hosted by Ian Simmons for his "Kicking the Seat" site and podcast. We had just gotten out of an advance screening for "Passengers" and were brimming with positive and negative opinions that couldn't be contained, creating a second reason for Ian to turn on the mics and recorders. Enjoy Ian, Emmanuel Noisette of Eman's Movie Reviews, Harold Egbo, David Fowlie of Keeping it Reel, and myself as we challenge the gravity and go on a trip for "Passengers."
Read MoreMixing romance with science fiction always seems to be a dodgy proposition of preposterousness. The emotionality of love is not something readily explained by science, unless some smarty pants cites neurotransmitters, adrenaline, dopamine, and serotonin. The marketing and publicity push of “Passengers,” starring the hot ticket names of Chris Pratt and Jennifer Lawrence, want you believe that you’re stepping into “Titanic in Space.” Hey now, come out of hyperdrive or drop out of warp speed (your choice, fellow geeks) and pump your space brakes! The only apt comparison between “Passengers” and “Titanic” is the metaphorical sinking.
Read MoreThe new animated musical “Sing” from Illumination Entertainment bills itself as containing more than 85 memorable tracks from legendary performing artists and one new original song collaboration from Ariana Grande and Stevie Wonder. When you divide the 110 minutes of the film by 86 songs, that averages out roughly to one song every 78 seconds. A mashup like that plays well as a recurring Jimmy Fallon/Justin Timberlake bit on late-night television, but it’s exhausting and tiresome when stretched to nearly two hours.
Read MoreWith the glitzy Los Angeles setting of “La La Land,” many will point to the Old Hollywood musicals of Gene Kelly, especially “Singin’ in the Rain,” as a necessary practice rounds, but “La La Land” is an unequivocally modern-set film. A different range is possible. Furthermore, advising you to re-watch “Whiplash” for Chazelle’s kicks or revisit “Rebel Without a Cause” to touch base with the Griffith Observatory are too easy for practice. Dig deeper and try a few of these on for size as a “La La Land” primer.
Read More
