Let’s just say it now upfront. Folks are going to walk up completely unprepared for The Iron Claw. They’re going to see the old school wrestling setting and the ripped bod of Zac Efron and swoon a little. They’re going to want, as one WWE superstar of this era so hilariously expressed once, “big meaty men slappin’ meat.” That’s cute, but The Iron Claw is not No Holds Barred or Nacho Libre.
Read MoreWhen the larger societal issues of Britain’s social politics towards POC creep in, the hurdles, so to speak, get even higher. To Shekhar Kapur’s great credit and shared with producer and debuting screenwriter Jemimia Khan, those inclusions are honest more than heavy-handed. More than anything, What’s Love Got to Do With It puts a strong emphasis on family honor and its aforementioned different speed of romantic finality. Those nuclei become natural and not forced on a journey where the wallup and flourish surprisingly arrive in two different places.
Read MoreDarkest Hour and Gary Oldman exhibit tremendous fight to match the vigor of the era. The film builds its mounting prospects of calamity and clashes of dissension with polish and gumption, avoiding many of the dull notes normally saddling most other behind-the-war-room yak-fest. The screenplay shrewdly skips laborious biographical notes and tautly fixates primarily on the two weeks of debate leading up to Operation Dynamo
Read MoreEdgar Wright's new film Baby Driver falls in the category of sub-genre of action films that I like to call "kinetic films." Hear that genre definition, how Baby Driver fits the bill as ideal summer entertainment and more as I present the spoken form of my full review of the film accompanied by an interactive whiteboard lesson via the ShowMe app. Enjoy the latest video review in my "Movie Classroom" series on this website's YouTube channel:
Read MoreThe films of Edgar Wright pulse with a signature flair for visual comedy built on wildly imaginative stylings in the areas of music, framing, camera movement, sound effects, and editing. His creative trickery wins for looks, but it also constantly advances the storytelling at hand. For that and so much more, Baby Driver is first-rate example of a kinetic film and joins the top ranks of Wright’s filmography.
Read MoreAs busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, sometimes a simple sentence or two from a friend says it all. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. In a new review series, I'm opening my site to friend submissions for quick-hit movie reviews. Here's Natalie's take on "Cinderella."
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