Thanks to umpteen versions and retellings, this whole thing has become a bit of a bedtime story, no matter how it’s sliced. Moving to the beat of that aforementioned tiny music box and not something deeper, Besson’s Dracula, and its selection of emphasized overtones and reduced undertones, are misaligned to become a lullaby from what could have been grander results.
Read MoreMartin McDonagh’s new film puts prickly in the pastoral glazing its country charm with absolute acid every chance it gets. Part stern crime drama and part small-town chicanery, Three Billboards Outside Ebbing, Missouri displays the next level of McDonagh’s talent and potential. Always the sharp storyteller since his roots on the Irish stage, McDonagh’s writing prowess elevates a premise that would fall flat as pure farce in other hands
Read MoreTo come right to the point, “Get Out” is an 104-minute living embodiment of a slow-burning WTF moment that just keeps growing with every new detail. And it’s glorious for being that very thing. More psychological thriller than the spattered horror it’s being billed to be, Jordan Peele’s directorial debut is subversively edgy and devilishly clever.
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