That crucial third act would make a heck of a short film on its own. If we could fast-forward to there, we would be in business. Instead, we get the Eastwood hero worship vanity project parade. Invisible yet incredibly overt, The 15:17 to Paris freely flies its flags of god-fearing conservative morals, manly superiority, unwavering courage, dreams of glory, and military brotherhood. The content isn't lowered for Eastwood’s credibility, but the execution is, even if there is an audience for this sort of thing.
Read MoreI do my best to write professional grade film criticism fit for a formal audience, becoming best friends with a thesaurus and using my big boy words. By day, I'm an elementary school educator. At work this year, I've been organizing a special field trip for 5th graders to see Wonder after they've been reading the novel all fall. This second "student-friendly" movie review is for them and other younger readers. Revised, this review scales down my review down from an 11.6 Flesch Kincaid readability level to a comfy 4.4 average.
Read MoreWonder’s buoyant messages are the moving jolt of empathy this generation needs. Even better, its literal and figurative precepts carry an inspiring weight worthy to last many generations more. Directed by the good hands of Stephen Chbosky, Wonder is an instant classic, sure to become a new favorite, for its target audience and a winning (and rare) example of a film taking great care to do justice by the book it is based on.
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