MOVIE REVIEW: War for the Planet of the Apes

A significant shift in attention and investment has occurred in this series. Our hearts and allegiances swayed from rooting for the madness of our own mankind to the superior traits of humanity exhibited by Caesar and his ape brethren. A transformation of empathy like that is downright miraculous. War for the Planet of Apes is a full-bodied epic of glory and pain that matches and then exceeds the moving importance and heart this rebooted franchise has established in two previous knockout films.

2017, 5 STARS, ADVANCE MOVIE REVIEW, MOVIE REVIEWDon ShanahanJune 27, 2017ShowPlace ICON X at Roosevelt Collections2017, 2017 Summer Movies, Planet of the Apes, Dawn of the Planet of the Apes, Rise of the Planet of the Apes, War for the Planet of the Apes, Best of 2017, Andy Serkis, Caesar, Pixar, Toby Kebbell, Woody Harrelson, Ty Olsson, Terry Notary, Karin Konoval, Amiah Miller, Steve Zahn, Spartacus, Jurassic World, Michael Giacchino, Jerry Goldsmith, Lost, Matt Reeves, John Williams, Mark Bomback, Michael Bay, Transformers, The Batman, The Lord of the Rings, Gollum, Toy Story, Star Wars, The Godfather trilogy, Christopher Nolan, Peter Jackson, Special Achievement Oscar, Special Achievement Academy Award, Academy Award, Academy Award hopeful, film review, movie review, movie commentary, film commentary, life lessons, life lessons from film, life lessons from movies, The Lord of the Rings trilogy, Star Wars trilogy, Movie trilogies, trilogies, superior sequels, sequels, reboot, remake, Reimagining, Donald Shanahan, Don ShanahanComment

MOVIE CLASSROOM: Alien: Covenant

Are my reviews too long to read? Do you want something you can watch or listen to instead? Check out my "Movie Classroom" video series. Hot off the processor, here's my second and newest whiteboard video version of my complete movie review of Alien: Covenant on the Every Movie Has a Lesso YouTube channel! Like and subscribe!

MOVIE REVIEW: Alien: Covenant

Designed by H.R. Giger and manifested by Oscar-winning special effects puppetry, the unforgettable xenomorph creature that debuted in 1979’s Alien lunged with more menace than suddenness. The acid-dripping extraterrestrial was an overpowering stalker. Fast-forward 38 years to Alien: Covenant, and the CGI-boosted effects capable today have accelerated the monster’s lethal velocity to an unhinged and downright bonkers level. Let me tell you, that’s a dandy of a jolt.

2017, 4 STARS, ADVANCE MOVIE REVIEW, MOVIE REVIEWDon ShanahanMay 16, 2017ShowPlace ICON X at Roosevelt Collections2017, 2017 Summer Movies, Alien: Covenant, Alien, Prometheus, Ridley Scott, Billy Crudup, Michael Fassbender, Katherine Waterson, Hermann Goering, Alien franchise, Prometheus sequel, sequels, movie sequels, prequel, reboot, Rogue One, Rogue One: A Star Wars Story, Star Wars, Darth Vader, 1979, Sigourney Weaver, Carmen Ejogo, Demian Bichir, Danny McBride, Jed Kurzel, Macbeth, Pietro Scalia, Dariusz Wolski, New Zealand, xenomorph, H.R. Giger, Origae-6, facehugger, Noomi Repace, Guy Pearce, Weyland Corporation, 20th Century Fox, John Logan, Dante Harper, Neill Blomkamp, James Cameron, special effects, Science Fiction films, Science Fiction, Science fiction, horror films, horror, R-rated summer films, movie review, film review, movie commentary, film commentary, life lessons, life lessons from movies, life lessons from film, Life lessons, Donald Shanahan, Don Shanahan, Every Movie Has a LessonComment

MOVIE REVIEW: Bridget Jones's Baby

Tongues are inserted into cheeks at a rapid-fire pace in “Bridget Jones’s Baby. The euphemisms, drollery, puns, wild physical gags, and self-deprecating farce originate from all directions and target anyone with eyes and a smile. The writing is harebrained in the most smart and witty ways possible and, trust me, that is a compliment. Better yet, when it needs to, the movie turns off the jokes and hits you with the necessary heart to make all the silly stuff enormously endearing.

2016, ADVANCE MOVIE REVIEW, MOVIE REVIEW, 3 STARSDon ShanahanSeptember 14, 2016Kerasotes ShowPlace ICON X at Roosevelt Collections2016, 2016 Fall Movies, Bridget Jones's Diary, Bridget Jones: Edge of Reason, Bridget Jones's Baby, Renee Zellweger, Hugh Grant, Patrick Dempsey, Colin Firth, Tim Beven, Eric Fellner, Sharon Maguire, Helen Fielding, Emma Thompson, Jim Broadbent, Gemma Jones, Women over 40, Romantic comedies, life lesson, life lessons from films, life lessons from film, life lessons from movies, Life lessons, movie review, film review, movie commentary, film commentary, sequels, movie sequels, Donald Shanahan, Don Shanahan, Every Movie Has a Lesson, Bridget Jones, Dan Mazar, Dan Mazer, Sarah Solemani, Sally Phillips, James Callis, Shirley Richardson, Neil Pearson, Kate O'Flynn, Gangnam StyleComment

MOVIE REVIEW: Ghostbusters

The success of a remake, reboot, or sequel is contingent upon matching the tone of the original work to the best of its ability. If a film gets that tone right, it can be a drastic revision full of changes and updates and still feel respectfully aware and in tune with the previous well-remembered greatness the new film is trying to emulate. I stand by that rationale and now bring that gauge to “Ghostbusters” and the wave of misguided hatred that follows it. I say misguided because the overprotective nostalgia and/or sexist gender complaints are false sources of this film’s problems.

MOVIE REVIEW: My Big Fat Greek Wedding 2

To sneak preview a later life lesson in this review, you could trade the Greek demographic of the central Portokalos family in "My Big Fat Greek Wedding 2" with any other American immigrant nationality and get much of the same effect. Nearly all people are being both defined by and embarrassed by their family. Whether you're Greek or not, you will watch both original and the sequel and poke fun at the similarities and differences. Such is an easy draw, but that charm has limits in a been-there-done-that sequel.

MOVIE REVIEW: Crouching Tiger, Hidden Dragon: Sword of Destiny

Last summer, the chief complaints of "Jurassic World" were its lack of majesty and awe to follow the original "Jurassic Park." One can now say the very same about the new long-distance sequel "Crouching Tiger, Hidden Dragon: Sword of Destiny." The soulful beating heart that stirred the 2000 winner of four Academy Awards has been stifled to large degree. The dazzling and balletic flight of fancy that we fell in love with then has been replaced by repetitive flashiness driven by a different audience.

MOVIE REVIEW: Vacation

To this writer, the success of a remake, reboot, or sequel is contingent upon matching the tone of the original work to the best of its ability. If a film gets that tone right, it can be a drastic revision full of changes and updates and still feel respectfully aware and in tune with the previous well-remembered greatness the new film is trying to emulate. That's the taste test that should be put on "Vacation," the new long distance sequel/update of the 1983 National Lampoon comedy classic.

MOVIE REVIEW: Dawn of the Planet of the Apes

Every single positive piece of praise and advanced buzz about this movie is completely true. The is the best movie I have seen this summer, by a landslide. This film is tremendous on every single level. This is the summer blockbuster you need to pay to see. This is the movie you'll make a point to put on the shelf or the digital library in the future. This is the movie that, years from now, you will point to as the coming out party for something even bigger that's happened since. This is the movie we were promised and were waiting for. This one is going to leave a mark on our cinematic memory.

MOVIE REVIEW: X-Men: Days of Future Past

The successful revitalization brought by “X-Men: First Class” and the unfaded star power of Hugh Jackman have brought us to “X-Men: Days of Future Past.” Original series director Bryan Singer, fresh from “Jack the Giant Slayer,” and “X-Men: The Last Stand” screenwriter Simon Kinberg have returned to correct old mistakes, untangle the knots, and realign this previously failed franchise for a healthy new lease on cinematic life and relevance.