For their 141st episode, two classical film critics, two chain-smoking dads, and two rapturous teachers, Will Johnson and Don Shanahan, stay in the Netflix stream and step up from last week's Zack Snyder crap to an Oscar contender of pedigree. This week, we talk about Maestro, written, directed, produced, and starring Bradley Cooper. Don was able to share has Hollywood access to the film as the guys compare the film's chances for appreciation and Oscars.
Read MoreTo say Bradley Cooper threw himself into his work is an understatement. He is a marvel to behold. The actor was operating with a spot-on imitation of Bernstein’s vocal annunciations, inflections, cadence, and tone. He found all the highs and lows of hubris, profundity, stress, dedication, and talent in front of and behind the camera. Is all of this in Maestro ostentatious hopscotch from Cooper? Probably, but what else would you expect from an energy like working at an insanely masterful level?
Read MoreMore and more each year, the Golden Globes have become more an a popularity contest than a true precursor to the Academy Awards. What you're watching on TV is a party thrown by the Hollywood Foreign Press Association and hosted by Ricky Gervais in an effort to be loved and share some love. To its credit, the awards show still garners legitimate attention and ratings. The winners do get a pretty positive rub and the marketers gain a few more "Winner of..." graphics to put in the newspapers next to their films.
Read MoreThe prose and tasteful passion captured by the classic writers then put the tawdry and repetitive theatrics of today's writers to shame. In that same regard, so too do solid film adaptations that tap the proper classic roots. "Far from the Madding Crowd" is a stellar example of this. Permeating with possibilities and charged with the right measure of passion in every engrossing layer, Danish director Thomas Vinterberg's film stands head and shoulders above the feeble likes of today's lesser efforts of cinematic literary romance. It's cliche to say, but they don't make them like they used to and this film proves it.
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