Reunited for the first time since 2008’s Coen Brothers romp Burn After Reading, George and Brad are the perfect men to play these bristled rogues and turn them into winning studs to root for and follow. Between the two of them, it starts with their matinee idol mugs radiating body language. Both Supporting Actor Academy Award winners can act with their eyes better than most of their peers and contemporaries can with their entire bodies and voices.
Read MoreNonetheless, that’s where The Boys in the Boat, the latest satiny period piece directed by George Clooney, hopes to rekindle old pride, honor, and excitement. Boosted by inspirational history and adapted from Daniel James Brown’s 2013 bestseller, Clooney’s film cannot push back the entire predominant stereotype described earlier, but it can offer a scrappy team of bourgeoisie to root for and showcase the dauntless fortitude to perform the marginalized sport itself.
Read MoreIt’s a pleasure to watch the reunited Ocean’s series co-stars work together again. Admittedly, the two screen legends are more fun when they are at each other’s throats early on in Ticket to Paradise than later when they are cuddled closer together by rekindled circumstances. You root for the competitive one-upmanship more than the softening comeuppance their characters have coming. For a while, there is a sizzling and infectious comedic burn to their verbal clashes and invasions of personal space that wane with time. Who knew getting nicer would sap a little of the enjoyment?
Read MoreGeorge Clooney’s The Tender Bar has, above everything else, a crucial mentor character that wins over the entire film with everything he does. When regular dads are absent or inadequate, father-figures are incredibly important for an malleable kid. We’ve seen plenty of them in movies before, but Ben Affleck’s Charlie character feels more spot-on and special than usual. When he’s there putting an arm around a shoulder or mixing a martini, you’ll either wish for or recall your own Uncle Charlie from your life.
Read MoreSuburbicon lazily delivers a caper that lacks cleverness, smarts, and anything edgy other than the spurts of hemoglobin that stain a few starched shirts. Even if it is pitch black by design, the final ingredient of fake sentimentality glazed over the proceedings is ineffective to add any varnish to the acidic angle of white-collar crime. Nonsensical twist follows nonsensical twist for an aimless purpose.
Read MoreThe adjectives "titan" and "humble" are not commonly found together. Famed television producer Norman Lear is an iconoclast in every way. His successful shows and the waves they created are forever chiseled into that industry. Away from the his seat as a creative czar, the man remained a hard-working and vigilant self-made man of activism and integrity. In his 90s, Lear has crossed unimaginable measures of impact and history. The new documentary "Norman Lear: Just Another Version of You" stylishly chronicles his vast contributions.
Read MoreFor this writer and website, the films of Joel and Ethan Coen are pegged as acquired tastes. Slot the brothers and their work right next to Quentin Tarantino in that regard. Their creative brilliance and their reverent place in the upper echelon of superb storytellers are indisputable, proven by their six Oscar wins. Sometimes, in the measure of taste, their choices and results are a maddening or confounding mess. When the Coen brothers are on their game, they are white hot. "Hail, Caesar!" won't go down as one of their best, but there is no denying its draw as a thoroughly entertaining hoot.
Read MoreLet's look at the best films set in and about Hawaii, its people, citizens, and history. To make this list, the film has to actually be about and predominantly set in Hawaii. Any movies that start or end somewhere else, where Hawaii is purely a side trip or vacation, are not good enough. Here are the top ten as they stand before the arrival of "Aloha" this weekend. Can that film crack this list? We shall see.
Read MoreThinly veiled beneath the powerhouse studio running the show, Disney's "Tomorrowland" is your new lightning rod between poignant and preachy. It is, with absolute certainty, an enormous message movie hiding behind a summer blockbuster. Brad Bird's film is a platform for big ideas that knows it's on a platform to also sell tickets and merchandise, putting it in that very divisive place between intention, tone, and how people are going to interpret it. If that surprises you, get in line. Everyone that was likely expecting a whimsical family-friendly film with gadgets and adventure are instead getting what stands to be the most polarizing film of the season, if not the year. That might not be a bad thing.
Read More"The Monuments Men" may be the rare enigma and case of identity crisis where a movie doesn't know what it's trying to be. If "The Monuments Men" had went straight serious to really honor this war effort story, those involved all have the chops to deliver an affecting epic. If it had went the lighthearted route, this same cast and crew could nail that crowd-pleaser too with equal room for success. Either route needed more dedication and more time to succeed.
Read More
