This new sequel promised the origin story of Mad Max: Fury Road’s scene-stealing and far-and-away best character. The enigmatic starlet Anya Taylor-Joy of The Queen’s Gambit walks into Charlize Theron’s past and shadow to take viewers into the campfire tale history that would forge cinema’s toughest broad this side of Ellen Ripley and Sarah Connor. Fill up the gas tank and toss us the keys to the multiplex, right? Not so fast. Pump the brakes and skid across the sand to a stop.
Read MoreFor their 142nd episode, two hack critics, two hack-ish dads, and two hacker teachers, Will Johnson and Don Shanahan, begin the first episode of a two-part guest arc with Jordan Puga and Paul Keelan of the Cinematic Underdogs podcast. Both Will and Don have been on their show, it was our time to get them on ours. Our target was a Michael Mann double feature. This first episode covers Mann's maligned 2015 geo-techno thriller Blackhat starring Chris Hemsworth. With a four-man room, the opinions and pixels fly!
Read MoreFor their 138th episode, two voyeuristic film critics, two myth-fearing dads, and two well-tested teachers, Will Johnson and Don Shanahan, both knocked out a long-held blindspot recently by giving an audience to Drew Goddard's 2011 breakout horror movie The Cabin in the Woods. Mostly remembered for early Chris Hemsworth flick, the guys talk about the big ideas of the movie that bit off more than they could chew.
Read MoreIf, from here on out, the Thor series is going to stay in Taika Waititi’s control, so be it. Let him own it and be all things Thor. Hemsworth’s natural charisma and self-deprecating personality, put on blast in Thor: Love and Thunder (buns and all) more than it’s ever been in that shiny armor, match the zany route Waititi has taken with this character. Going back to the bold spirit of Branagh’s mythic origins seems difficult, if not damn near impossible, where Waititi and company would be better off sticking with the fluffy cheese and not even trying. For better or worse, this is Thor now. Maybe at least, even in sideshow comedy mode, this character will finally have consistency.
Read MoreCall this a meandering musing, but it’s a tad quizzical how far apart the definitions of “mercy” and “mercenary” are despite their beginning spellings. There is not harming someone you have power over versus a soldier paid to fight for money. You won’t find those two words supporting the old “one hands washes the other” expression. Nonetheless, here in the new Netflix Chris Hemsworth vehicle Extraction one could wring a towel dripping with the unexpected mix of blood and suds. That makes for a messy and albeit entertaining proposition on the wiggle room to have mercy in a mercenary.
Read MorePaired perfectly as a double-feature follow-up to this summer’s spacefaring Guardians of the Galaxy Vol. 2, Taika Waititi’s Thor: Ragnarok is a raucously rad roller coaster that shoots rainbows out of every digitally-rendered pore. Blasting with energetic pace in the complete opposite direction from the dreary and grayish Game of Thrones Lite tone of Thor: The Dark World, this new chapter is a cinematic box of Crayola crayons laced with dynamite.
Read MoreNow in its third phase, Marvel continues to take C-level and D-list comic book characters and titles, breath cinematic life into them with top-notch talent in front of and behind the camera, and turn the obscure in newly minted household names and merchandising windfalls. "Doctor Strange" continues the studio's blueprint of Midas Touch success while jubilantly kicking down the door for magic and mysticism in the MCU. You may not know him yet, but Stephen Strange is a major player and huge addition to an already-loaded heroic panorama.
Read MoreThe success of a remake, reboot, or sequel is contingent upon matching the tone of the original work to the best of its ability. If a film gets that tone right, it can be a drastic revision full of changes and updates and still feel respectfully aware and in tune with the previous well-remembered greatness the new film is trying to emulate. I stand by that rationale and now bring that gauge to “Ghostbusters” and the wave of misguided hatred that follows it. I say misguided because the overprotective nostalgia and/or sexist gender complaints are false sources of this film’s problems.
Read MoreTo this writer, the success of a remake, reboot, or sequel is contingent upon matching the tone of the original work to the best of its ability. If a film gets that tone right, it can be a drastic revision full of changes and updates and still feel respectfully aware and in tune with the previous well-remembered greatness the new film is trying to emulate. That's the taste test that should be put on "Vacation," the new long distance sequel/update of the 1983 National Lampoon comedy classic.
Read MoreLet's look at the best films set in and about Hawaii, its people, citizens, and history. To make this list, the film has to actually be about and predominantly set in Hawaii. Any movies that start or end somewhere else, where Hawaii is purely a side trip or vacation, are not good enough. Here are the top ten as they stand before the arrival of "Aloha" this weekend. Can that film crack this list? We shall see.
Read MoreRaising the stakes and swinging for the fences like a good film sequel should, Joss Whedon’s latest Marvel film pays off the studio’s Phase 2 initiative with both a new level of groundbreaking effort beyond the first peak three years ago and a continued dedication to the master blueprint of a grander big picture.
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