If, from here on out, the Thor series is going to stay in Taika Waititi’s control, so be it. Let him own it and be all things Thor. Hemsworth’s natural charisma and self-deprecating personality, put on blast in Thor: Love and Thunder (buns and all) more than it’s ever been in that shiny armor, match the zany route Waititi has taken with this character. Going back to the bold spirit of Branagh’s mythic origins seems difficult, if not damn near impossible, where Waititi and company would be better off sticking with the fluffy cheese and not even trying. For better or worse, this is Thor now. Maybe at least, even in sideshow comedy mode, this character will finally have consistency.
Read MorePaired perfectly as a double-feature follow-up to this summer’s spacefaring Guardians of the Galaxy Vol. 2, Taika Waititi’s Thor: Ragnarok is a raucously rad roller coaster that shoots rainbows out of every digitally-rendered pore. Blasting with energetic pace in the complete opposite direction from the dreary and grayish Game of Thrones Lite tone of Thor: The Dark World, this new chapter is a cinematic box of Crayola crayons laced with dynamite.
Read MoreCinema aficionados will quickly point fingers towards a few familiar comparisons for director Taika Waititi's New Zealand-based festival favorite, "Hunt for the Wilderpeople." The trouble is they will be shoehorning the film into an unshapely and narrow box where many containers are needed. "Hunt for the Wilderpeople" is rich and broad film with a charm and a sprawling ambition that will ping more that a few of your favorite film sensibilities. Broken into ten cheeky episodic chapters and boasting beautiful natural beauty shot by cinematographer Lachlan Milne, you will find a fun experience that may feel familiar, yet is wholly unique.
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