Paired perfectly as a double-feature follow-up to this summer’s spacefaring Guardians of the Galaxy Vol. 2, Taika Waititi’s Thor: Ragnarok is a raucously rad roller coaster that shoots rainbows out of every digitally-rendered pore. Blasting with energetic pace in the complete opposite direction from the dreary and grayish Game of Thrones Lite tone of Thor: The Dark World, this new chapter is a cinematic box of Crayola crayons laced with dynamite.
Read MoreThe advent of computer-generated visual effects in the 1990s raised the scope of what and how much disaster movies could destroy on screen. No better film encapsulated that new era than the raucous and wildly successful “Independence Day” from 1996 with aliens laying waste to world monuments and making a star out of Will Smith. In the twenty years since, the evolution of CGI filmmaking of bigger and more opulent destruction has elevated the craft to the moniker of “disaster porn.” Returning with the grand ambitious sequel “Independence Day: Resurgence,” the former standard-bearer enters a present day where audiences have been desensitized by asteroids, comets, natural disasters, monsters, Transformers, and superheroes dozens of times over. What was awesome the first time isn’t jaw-dropping anymore.
Read MoreAnderson's hot streak at winning me over has now extended to two films in a row with "The Grand Budapest Hotel." Richly detailed in every sense of possible style, this is a superbly entertaining little caper film that should yield more success for Wes Anderson and earn even more new fans. I know it's just March, but I'm going to go out on a limb right now and say that this is the best written film you will see all year. The script is brilliant beyond measure and a star-studded cast rarely misses a beat to make those words shine and leap off the page and screen.
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