Roger Michell stiffens his upper lip from his Love, Actually and Notting Hill fare to tackle a costume drama with My Cousin Rachel. Oddly enough, this film can stake a serendipitous claim as the second Michell-directed film about “kissing cousins” after Hyde Park on the Hudson. Unfortunately, more than a little uncomfortable laughter of preposterousness pokes out of this film while trying to portray itself as flowing romantic drama. That’s not going to sweep anyone.
Read MoreI, Daniel Blake is unabashedly a “bleeding heart” film on literal and figurative levels. If this was a Hollywood film, it would be overrun with shouted speeches and orchestrational swells trying to manufacture emotional peaks. Fluff like that is unnecessary if you have the right poetic realism, For Loach, that’s second hand and he picks the right soapbox placement and thickness.
Read MoreIn returning to my "Movie Classroom" series of interactive whiteboard video reviews with new vigor, new skills, and new tools, I wanted to bring back and upload my old video attempts to my Every Movie Has a Lesson YouTube channel. In a massive file drop, I recently uploaded 29 of my past Movie Classroom videos from 2014, including winners like Whiplash and Birdman. Head over and reminisce on some fine films and commentary by yours truly.
Read MoreTake the title of the film whatever way you wish, be it literally with the lurking threats of nightfall in this landscape or figuratively with the visions and nightmares one has while alone with their thoughts before sleeping. It Comes at Night is tightly comprised of excruciating moral challenges that escalate with time.
Read MoreBrian Cox one of the most underappreciated character actors in the business today. He has been an accomplished and terrifically versatile mainstay through all levels and genres of film for over thirty years since turning our heads as cinema’s first Hannibal Lecktor in Michael Mann’s Manhunter. Cox is a consummate performer, brimming with fervid screen presence. From Braveheart to Super Troopers, he is never the weak link to any picture. Churchill offers a rare lead performance from Cox and, like the chameleon he’s always been, he reminds us of his indomitable intensity.
Read MoreThe three-part noun definition of “wonder” can be summarized as “a cause of astonishment, the quality of excited admiration, or rapt attention at something awesomely mysterious or new to one’s experience.” Used as an adjective in a proper name, the word could not be more fitting of Princess Diana of Themyscira, better known as Wonder Woman. Whether it represents a cog in a larger universe, a historical watershed for women’s leadership, or the answered prayers of long-suffering fans and idolizing dreamers, Wonder Woman is a valiant, momentous, and satisfying first step fitting of the iconic heroine.
Read MoreWhen standup comedians come to the big screen, they tend to stay with what works, extending their personas and bits into feature-length material within their comfort zones. Most lack creativity to make something unique out of their individuality. That is not the case with Demetri Martin making his impressive feature writing and directing debut with Dean. In 87 breezy minutes pushing against the grief of its characters, his film squeezes earnest sweetness out of bleak material that would never play on his comedy club stages.
Read MoreContrary to how well the Mythbusters pulled it off, you can't shine sh-t, not turds of the TV or film variety. Terrible TV shows make terrible movies. Asking for anything more is asking too much, and there's nothing wrong with that. All of the zing and jiggle audiences enjoyed in eleven seasons and 242 episodes of Baywatch get the amplified and gaudy movie treatment an entertaining guilty pleasure deserves. Enjoy what you enjoy and don't be ashamed of it.
Read MoreOver 40 feature-length and short films, many of which making their Chicago premieres, graced the main screen of the Music Box Theatre this past week-and-change as part of the fifth annual Chicago Critics Film Festival. It was an honor and pleasure to be be granted press credentials to cover the event. Here are my collected capsule reviews of the short film programs.
Read MoreOver 40 feature-length and short films, many of which making their Chicago premieres, graced the main screen of the Music Box Theatre this past week-and-change as part of the fifth annual Chicago Critics Film Festival. It was an honor and pleasure to be be granted press credentials to cover the event. Here are my collected capsule reviews of the feature-length films.
Read MoreTHEY'RE BACK! I've been meaning to fire up my "Movie Classroom" series again after a few years off. Enjoy my YouTube review of Guardians of the Galaxy Vol. 2! I've improved the tech/apps used to build them. Give me a few films and tries to get my voice and cadence together!
Read MoreDesigned by H.R. Giger and manifested by Oscar-winning special effects puppetry, the unforgettable xenomorph creature that debuted in 1979’s Alien lunged with more menace than suddenness. The acid-dripping extraterrestrial was an overpowering stalker. Fast-forward 38 years to Alien: Covenant, and the CGI-boosted effects capable today have accelerated the monster’s lethal velocity to an unhinged and downright bonkers level. Let me tell you, that’s a dandy of a jolt.
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