I, Daniel Blake is unabashedly a “bleeding heart” film on literal and figurative levels. If this was a Hollywood film, it would be overrun with shouted speeches and orchestrational swells trying to manufacture emotional peaks. Fluff like that is unnecessary if you have the right poetic realism, For Loach, that’s second hand and he picks the right soapbox placement and thickness.
Read MoreI felt obligated to update an editorial list I made five years ago in 2012 of the best Irish-themed movies in time for celebrating St. Patrick's Day. It was due for a dusting with two new additions. For this list, I opened the field to either movies set in Ireland or those that feature notable Irish characters or stories outside of the Emerald Isle. That possibilities spanned movies both foreign and domestic. Pour the Guinness, heat the corned beef, and enjoy my list of the 10 best Irish-themed movies!
Read More"Louder than Bombs" is the English language debut of Norwegian director Joachim Trier and his writing partner Eskil Vogt, best known for their 2006 Academy Award-nominated foreign language film "Reprise." Their newest work was a competitor for the Palme d'Or at the 2015 Cannes Film Festival, Norway's first since 1979. Possessing a compelling rotation of inner monologues, the heavily dramatic film observes a fractured family of men dealing with the overhanging aftermath of losing their iconic matriarch.
Read MoreDirected by Italian filmmaker Paolo Sorrentino, “Youth” is a cornucopia of quirk colliding with decadence. We get to see how the other half lives through messy characters making sense of their lives while soaking in a lavish vacation. Thanks to a stellar cast and brilliant performances, “Youth” surprises us to show how much interest and intrigue can be found in foppish people we normally wouldn’t closely identify with as an audience.
Read More"The Assassin," directed by Taiwan New Wave director Hou Hsiao-Hsien, is the latest and brightest wuxia film looking to make an international splash. The film was an official Main Competition selection of the 2015 Cannes Film Festival, where it won the awards for Best Director and the Soundtrack Award. It is making the rounds of the international film festival circuit, including a recent Highlight selection bow at the 51st Chicago International Film Festival, and will represent Taiwan's entry for Best Foreign Language Film at the 88th Academy Awards this coming February.
Read More"Sicario" is a raw labyrinth of grit and surprises. This film is a python of suspense. Just when you think the film can't squeeze you any tighter, it chokes you even more. It resets the bar as the best and finest film on drug warfare that Hollywood has ever attempted. "Sicario" is steely, seedy, scary, and jarring in its underlying social and political commentary to bore that out. It's the kind of film that will make you never want to visit Mexico or live in Arizona or Texas.
Read MoreIf you are a casual follower of the movie industry, there's a good chance that you've probably heard of, but don't know much about, the Cannes International Film Festival. You probably have seen the fashion report on E! and a few red carpet interviews on Entertainment Tonight or Extra. First off, you've got to say it right to sound cinephile-cool. "Cannes" pronounced "CAN" and not "CANS". That will help right off the bat. In this column, I'm presenting this article on the facts and history of the prestigious Cannes Film Festival to help the unfamiliar and uninformed movie fan sound like one of the 1% of cinema aficionados.
Read MoreAs beautifully presented as Mike Leigh's "Mr. Turner" is at telling the story of English Romanticist painter J.M.W. Turner, too much of it is uninteresting, familiar in tone, and predictably in execution. What normally can save a film about an artist is the subject's life beyond his or her work. An interesting person can make up for the uninteresting content. Though led by a invested performance from character actor Timothy Spall, "Mr. Turner" can't muster enough of that to separate itself as something special.
Read MoreWith Cotillard commanding the screen and using none of her looks and star power, the Dardennes have created an intentionally minimalistic film that packs a punch without the need for gaudy theatrics. If this was a Hollywood film, this storyline of encounters would be backed by over-acted reactions, flashy star cameos, unrealistic results, a ticking clock like a "24" episode, and a heaping pile "Norma Rae"-level workplace politics and finger-pointing backed by some sweeping musical score that crescendos to a predictable and manufactured happy ending. A Hollywood film would beat those themes of confidence, sympathy, and pity to death with syrup and imposed drama. What started as realistic and approachable would be rendered melodramatic and fake. Because of the focused simplicity and plainness of this story and the artistic intent of the Dardenne brothers, none of those mistakes of over-indulgence occur.
Read MoreWe men can’t resist a good western. On paper, the new film opening in Chicago this week, “The Homesman,” starring and directed by Tommy Lee Jones could sell tickets to us men just by his presence alone. His gruff persona is perfect for the genre in every way. The “guy film” potential and exterior stops there at Tommy Lee Jones. “The Homesman,” adapted from the novel of the same name from notable western writer Glendon Swarthout dives deeper, darker, and fervently towards a different perspective.
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