There was a time Oliver Stone took risks and punched harder with his filmmaking style and history-challenging investigation efforts through compelling dramatization. The 70-year-old self-described dramatist used to stir provocative emotions and drop jaws with grand revelations. Those days feel like a distant memory with "Snowden."
Read MoreTongues are inserted into cheeks at a rapid-fire pace in “Bridget Jones’s Baby. The euphemisms, drollery, puns, wild physical gags, and self-deprecating farce originate from all directions and target anyone with eyes and a smile. The writing is harebrained in the most smart and witty ways possible and, trust me, that is a compliment. Better yet, when it needs to, the movie turns off the jokes and hits you with the necessary heart to make all the silly stuff enormously endearing.
Read MoreCelebrated director Clint Eastwood is no stranger to biopics based on historical figures, making him an ardent practitioner of hero worship. Because the 86-year-old, four-time Oscar winner classically directs with a soft hand and a comely tone, his brand of adoration consistently lands on the veneration half of the definition. Combining forces for the first time with another hero worship professional in All-American leading man Tom Hanks on “Sully,” you have double the cinematic potential of cherished devotion.
Read MoreOne could say melodramas take preposterous human mistakes and play them for dramatic effect. They challenge the audience to interpret how you would act defiantly or morally differently in the same situation. These films do so while still compelling you watch in hope for any semblance of a happy ending. To understand “The Light Between Oceans” is to understand melodrama. The themes of melodramatic journeys are meant to be arduous. In the medium of film, the clinchers that aid in the ability to embrace and appreciate a melodrama are its tone and the acting performances. “The Light Between Oceans” flourishes to accomplish both benchmarks.
Read MoreLeave it to renowned filmmaker Werner Herzog to hit you with a buffet's worth of food for thought. His musings on the origins of the internet and its growing ramifications, both positive and negative, on this modern world are sternly served in his new documentary "Lo and Behold, Reveries of the Connected World." Scintillating one minute and sobering the next, this film is required viewing for anyone who has seen how far we've come with connectivity and wonders fearfully just how high this Icarus of technology can fly towards the Sun before it melts and crashes back to Earth.
Read MoreYou know the "Goodfellas" tropes: excessive narration, ordinary people getting rich or powerful doing extraordinary and often illegal activities played by colorful actors or actresses, dramatic license spinning a likely lesser true story, a kicking period soundtrack, pervasive drug use, freeze-frame shots to stamp moments, and a tidy epilogue of comeuppance. Imitation may be the sincerest form of flattery, but it is also lazily standing on the shoulders of giants. That’s the impact and existence of Todd Phillips’s “War Dogs” in a gun… err… nutshell.
Read MoreBlooming out of a cradle of artistic and narrative perseverance, it is clear a philosophy of great care and pleasant patience was given to “Pete’s Dragon” by Lowery and company. The film enhances the magical charm audiences remember from the original with newly gained maturity to operate as a loving family drama and touching adventure of friendship. It is a welcome and calming addition of heft painted by that superb idyllic tone. The wonderment never overplays its moments.
Read MoreIn the words of professional wrestling Hall of Famer Razor Ramon, “Say hello to the bad guy!” Warner Bros. and their DC Entertainment wing need a rebound from the maligned “Batman v. Superman: Dawn of Justice” and are banking getting you to cheer for villains instead of heroes with “Suicide Squad.” Packed with a head-turning cast of wild cards and very little shame for spectacle, this film aims to combine the delicious referential villainy you loved in “Deadpool” with the anti-hero team dynamics of “Guardians of the Galaxy.”
Read MoreCelebrated director Ira Sachs channels a shade of William Shakespeare with his latest film "Little Men." An often-repeated quote from Shakespeare's "The Merchant of Venice" reads "the sins of the father are to be laid upon the children." Sachs puts a beautiful spin on that notion using modern-day Brooklyn, two struggling families from different backgrounds, and a blossoming friendship characterized by two terrific debuting teen actors. "Little Men" may be small in scope, but it speaks volumes in repercussions.
Read MoreHere’s one word this writer never thought he would use to describe a Paul Greengrass-directed Jason Bourne film starring Matt Damon: FORMULAIC. After a tremendously successful trilogy (and not-so-successful spin-off) that had the right ending nine years ago, Greengrass and Damon were coaxed back into another cat-and-mouse spy game. Its rote construction and stakes that always feel like an arm-length away from stronger impact, “Jason Bourne” may be questionable enough to make us wonder if we’ve been seeing the same film four times now.
Read MoreThe toothpaste is out of the tube, so to speak, for this current “Star Trek” franchise stewarded by J.J. Abrams. Seven years into a reboot of erasure, there’s no going back. This new cast and new timeline is here to stay. If the die-hards haven’t dealt with it by now, they likely never will. Those who arrived in 2009 with wide eyes and a fresh heart have not been disappointed. “Star Trek Beyond” pushes a stellar and steady progression of shiny and modern blockbuster filmmaking with the right salutes to beloved nostalgia that warm from within.
Read MoreFor better or worse, Nickie and Emily, the two lovers orbiting at the center of "The Other Half," are two volatile human chemicals. Welshman Tom Cullen's Nickie is a sorrowful, combative man with a hair-trigger temper. Tatiana Maslany's Emily is a bipolar sprite with an astounding gap between her highs and her lows. By themselves, each are unstable and damaged. The question for the film becomes what happens when Nickie and Emily are combined. Does their pairing tame their respective caustic qualities or does it multiply the damage? "The Other Half" has the makings of a fascinating relationship piece and off-kilter love story.
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