MOVIE REVIEW: Ant-Man

Creative differences, bad PR, and terrible marketing have sunk greater and lesser films. "Ant-Man" survives each those kisses of death to be a fun, entertaining, and clever blockbuster. The creativity is more than present to veer away from Marvel's usually enormous scale of worldwide crisis-aversion and give us a true small-scale (literally and figuratively) "regular guy" hero that was missing among the billionaires, scientists, soldiers, assassins, and demi-gods Marvel has elevated so far to its cinematic pedestals. "Ant-Man" is packed with a plentiful amount of humor, spirit, and surprises that trump both the bad PR and overindulgent marketing. It was saving some aces up its sleeve.

MOVIE REVIEW: Inside Out

The prevailing feeling has been that the hallmark extra level of magic and poignancy that used to be Pixar's calling cards have been lost while they milked dollars from lackluster sequels and prequels like "Cars 2" and "Monsters University." We have missed the visual originality from "Monsters Inc." and "Cars." We have missed the sense of wonder from "Wall-E" and "Ratatouille." Most of all, we have sorely missed the strong familial dynamics of the "Up," the "Toy Story" series, and "Finding Nemo." "Inside Out" is exactly the redemptive return to form that Pixar desperately needed. The film rivals each of those prior greats in each of those areas. This is exactly what you loved and were missing while being something truly great that can stand on its own merits.

MOVIE REVIEW: Avengers: Age of Ultron

Raising the stakes and swinging for the fences like a good film sequel should, Joss Whedon’s latest Marvel film pays off the studio’s Phase 2 initiative with both a new level of groundbreaking effort beyond the first peak three years ago and a continued dedication to the master blueprint of a grander big picture.

MOVIE REVIEW: Clouds of Sils Maria

The new foreign-backed "Clouds of Sils Maria" is the latest film to challenge the parallels of a performer channeling what may or not be a version of themselves. Written and directed by Olivier Assayas, "Clouds of Sils Maria" premiered in competition at last year's Cannes Film Festival and worked the film festival circuit last winter, including stops in Toronto, New York, and the 50th Chicago International Film Festival. The film finally makes its limited U.S. theatrical release on April 10th. Honed down to a serious scale far smaller and more intimate than the likes of "Notting Hill," the cinematic star in the center of this solar system microcosm is Academy Award winner Juliette Binoche. As a gracefully aging actress of peripheral prominence playing a fictional one of the same sort in a different situation, we are taken inside a phenomenal character study. "Clouds of Sils Maria" is a fascinating actor's showcase that deserves and earns your attention for the behind-the-scenes tribulations of acting and the livelihood attached to that career.

MOVIE REVIEW: The Last Five Years

When a strikingly and surprisingly good movie musical does comes around and impress, the only thing to do is shout and sing its praises from the proverbial mountaintops, just as the main characters would have the proclivity to do. Well, we've got one right here, so cover your ears, and hear me roar! "The Last Five Years," the adaptation of Jason Robert Brown's Off-Broadway hit, is a new movie musical that makes this website's handful list of true gems and delightful keepers. This is the real film the date movie crowd should be seeking out this Valentine's Day weekend instead of the whips-and-chains-handcuffs of some certain monochromatic thriller. This film simply soars in every way!

MOVIE REVIEW: Selma

"Selma," whose name echoes the history being told, is one of those films that gets history right, honors it, entertains you without sacrificing the real thing, and moves you to no end. Anchored by an amazing lead performance from David Oyelowo as Dr. Martin Luther King, Jr., "Selma" has the ability to break and shatter the hardest of souls, thicken your pulse, and devour your tissue box. The experience is entirely worth all of that trouble. Best of all, it earn that emotion from you. Dare I say, "Selma" might be even better than last year's Best Picture winner "12 Years a Slave." That's the level of impact we're talking about.

MOVIE REVIEW: Two Days, One Night

With Cotillard commanding the screen and using none of her looks and star power, the Dardennes have created an intentionally minimalistic film that packs a punch without the need for gaudy theatrics. If this was a Hollywood film, this storyline of encounters would be backed by over-acted reactions, flashy star cameos, unrealistic results, a ticking clock like a "24" episode, and a heaping pile "Norma Rae"-level workplace politics and finger-pointing backed by some sweeping musical score that crescendos to a predictable and manufactured happy ending. A Hollywood film would beat those themes of confidence, sympathy, and pity to death with syrup and imposed drama. What started as realistic and approachable would be rendered melodramatic and fake. Because of the focused simplicity and plainness of this story and the artistic intent of the Dardenne brothers, none of those mistakes of over-indulgence occur.

ADVANCE MOVIE REVIEW: American Sniper

Go right now to YouTube and play the trailer for "American Sniper." First and foremost, THAT'S how you do a trailer. That's how you tease a film, still name drop who you need to, and set the stage without giving a shred of your film away. Second, after watching it, tell me you were surprised to see a name like Clint Eastwood's attached to a film with that kind of setting and tension. You wouldn't be alone. In many ways, "American Sniper" is new territory for Clint Eastwood will still retaining his signature hallmark of grit and heart.

ADVANCE MOVIE REVIEW: The Hobbit: The Battle of the Five Armies

With the arrival of "The Hobbit: The Battle of the Five Armies," we have made it to the payoff. This big story gets its ending, its tidy bow, and its cherry-on-top. Even if you think the movie studio was milking you for three movie tickets over three years out of a book that probably could have fit into a single film, you now get to see your patience rewarded and your virtue justified. You will realize it was worth it. You will feel like you stuck around to see "Superman" save the world, you survived the walk down those basement stairs in "Psycho," and you partied with the Ewoks and spirit Jedis in "Star Wars."

MOVIE REVIEW: Wild

When I call "Wild" a "chick flick" of the highest order, I don't mean the tropes, cliches, and stereotypes. I mean the label from the empowerment and importance standpoint. "Wild" is the positive kind of "chick flick" that isn't made enough and is drowned out by other crappier efforts targeted at women. With its true story tale, "Wild" is a strong and substantial film for female audiences. I do not say this next statement lightly. "Wild" is truly a film that every woman should see and one they should put on a more preferred pedestal for ideals compared to the "chick flicks" that ruin women's good sense. Better yet, it's an accessible film for all movie-going clientele, not just the ladies.

ADVANCE MOVIE REVIEW: Miss Julie

Two-time Academy Award-nominee Liv Ullmann brought her new film, “Miss Julie,” to serve as the opening night film of the 50th Chicago International Film Festival on Thursday, October 9th. “Miss Julie” is based on the 1888 August Strindberg play of the same name and stars two-time Oscar nominee and rising star Jessica Chastain (“Zero Dark Thirty”), Golden Globe winner Colin Farrell (“In Bruges”), and fellow two-time Oscar nominee Samantha Morton (“Minority Report”). Both Ullmann and Farrell attended the Opening Night Gala in Chicago.

ADVANCE MOVIE REVIEW: Let's Be Cops

All the buddy cop measurements and prerequisites are plugged into the new film "Let's Be Cops," which opens this coming August. I was lucky enough to catch a very advance screening of the film. The writers here, led by director Luke Greenfield of the forgettable "Something Borrowed," have the potential of a unique idea and a decent pair of leads to work with, but it's the real cop stuff that bogs the film down.

EVERY MOVIE HAS A LESSON

by Don Shanahan

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