MOVIE REVIEW: Horizon: An American Saga: Chapter 1

By golly, there’s something satisfying about watching an expert working in their element at a high level. They could be a laborer doing their job perfectly or an master artist flowing fully and freely within their given medium. At this stratum, to really appreciate what you’re seeing before your eyes, the observer needs to, at the very least, understand the medium and the artist in question. That is compulsory and, it needs to be said, the semi-restrictive provisions to approach Kevin Costner’s Horizon: An American Saga: Chapter 1.

MOVIE REVIEW: The Lost City of Z

The most crucial dramatic trait for films about exploration is a drawing a strong reaction to the unknown from the audience. Whether it’s a historical story or a fantastical one of fiction, the film has to evoke awe, be that stirring swells of inspiration or jarring feelings of danger. It has to move you, not bore you. If a film can’t achieve that quickened pulse or heavy heart, it’s little better than a travelogue on cable television or a curriculum video they show soon-to-be-bored high school students in Social Studies class.

MOVIE REVIEW: Live by Night

Every winning streak has to end to some time. “Live by Night” will go down as the first “L” in the loss column for Ben Affleck as a film director. After climbing to the top of the mountain with the trio of “Gone Baby Gone,” “The Town,” and the Oscar parade of “Argo,” there was nowhere to go but down, but this newest film is a little more than down.

MOVIE REVIEW: High-Rise

"High-Rise," starring Tom Hiddleston, is a strongly constructed blend of experimental science fiction with colossal political and social commentary. The layers of symbolism, analogy, and allegory are as tall as the building itself. There is a richly disturbing and dark fascination in observing how all of this frivolity comes crashing down in unpredictable and unlimited disaster.

MOVIE REVIEW: Burnt

Due entirely to his talent and appeal, two hours of Bradley-being-Bradley works and the film will rightly entertain at an acceptable superficial level. The subject is simple and the the risk is low. The food is pretty, the ensemble is smooth, and the cliches are pre-made. While "Burnt" offers a flourish or two to spark a little extra entertainment, it is far from the grass roots personal touch and smaller scale passion that was Favreau's "Chef" a year ago. "Burnt" is, in essence, more elitist and that requires you to be impressed, but only at a distance.

ADVANCE MOVIE REVIEW: American Sniper

Go right now to YouTube and play the trailer for "American Sniper." First and foremost, THAT'S how you do a trailer. That's how you tease a film, still name drop who you need to, and set the stage without giving a shred of your film away. Second, after watching it, tell me you were surprised to see a name like Clint Eastwood's attached to a film with that kind of setting and tension. You wouldn't be alone. In many ways, "American Sniper" is new territory for Clint Eastwood will still retaining his signature hallmark of grit and heart.

MOVIE REVIEW: Foxcatcher

"Foxcatcher" was a passion project for Bennett Miller that he immersed himself into for over two years since 2012. He spent the better part of 2013 and 2014 solely editing this very meticulous film. What results, in my opinion, is a flawed sculpture where the artist spent so much time whittling over the immensity of the project and its details that he lost sight what the piece represented. Without a doubt, the effort and the talent is there in front of and behind the camera, but, somewhere, this film drowned itself out and lost the core of what really mattered.

EVERY MOVIE HAS A LESSON

by Don Shanahan

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