Following his three-trophy Oscar haul for "Birdman" last year, filmmaker Alejandro Gonzalez Inarritu returns with an even more expansive cinematic challenge. Inspired by a wild true story, "The Revenant" is an unrelenting survival drama that makes "Cast Away" look like a cute day at the beach. Powered by raw natural beauty and a constant nerve of savage peril, Inarritu's film succeeds with striking artistry and superior craftsmanship in polishing a harsh and rough-hewn legend. Four-time Academy Award nominee Leonardo DiCaprio pushes himself and you over edge after edge in the most challenging performance of his career.

MOVIE REVIEW: Inside Out

The prevailing feeling has been that the hallmark extra level of magic and poignancy that used to be Pixar's calling cards have been lost while they milked dollars from lackluster sequels and prequels like "Cars 2" and "Monsters University." We have missed the visual originality from "Monsters Inc." and "Cars." We have missed the sense of wonder from "Wall-E" and "Ratatouille." Most of all, we have sorely missed the strong familial dynamics of the "Up," the "Toy Story" series, and "Finding Nemo." "Inside Out" is exactly the redemptive return to form that Pixar desperately needed. The film rivals each of those prior greats in each of those areas. This is exactly what you loved and were missing while being something truly great that can stand on its own merits.

MOVIE REVIEW: Two Days, One Night

With Cotillard commanding the screen and using none of her looks and star power, the Dardennes have created an intentionally minimalistic film that packs a punch without the need for gaudy theatrics. If this was a Hollywood film, this storyline of encounters would be backed by over-acted reactions, flashy star cameos, unrealistic results, a ticking clock like a "24" episode, and a heaping pile "Norma Rae"-level workplace politics and finger-pointing backed by some sweeping musical score that crescendos to a predictable and manufactured happy ending. A Hollywood film would beat those themes of confidence, sympathy, and pity to death with syrup and imposed drama. What started as realistic and approachable would be rendered melodramatic and fake. Because of the focused simplicity and plainness of this story and the artistic intent of the Dardenne brothers, none of those mistakes of over-indulgence occur.

MOVIE REVIEW: The One I Love

“The One I Love” is a thinking film that skews much closer to the romantic comedy vein of its trailer, but offers just enough icy and sobering implications to get that hamster wheel moving in your head that will nudge you ever so slightly to the edge of your seat. You won’t be gripping your arm rest or partner’s hand in tension. Rather, you’ll be retreating to crossed arms of curiosity and chin-rubbing intrigue and attention. Clever smiles outnumber dropped jaws.

MOVIE REVIEW: Inception

Inception may go down as his masterpiece someday, with its ability to take such a huge, wild, and suspenseful concept and pace it was such a deeply affecting emotional story. The powerful relationship between DiCaprio and Cotillard successfully overcomes the heist action to great effectiveness. Between Inception and his continuing work with Martin Scorsese (Gangs of New York, The Aviator, The Departed, and Shutter Island earlier this year), DiCaprio is building an impressive resume of compelling psychological performances. He hasn't been that teen heartthrob from Growing Pains, Romeo + Juliet, and Titanic for a long time and it's time for people to take notice, because he might be the best young actor working today.

2010, 5 STARS, MOVIE REVIEWDon ShanahanJuly 16, 2010Inception, Christopher NolanComment