MOVIE REVIEW: The Killer

Among his peers and contemporaries, David Fincher conveys a commanding control of fluidity that few filmmakers can rival in this day and age. His stringent melding of staging, cinematography, performance outcomes, editing, and music rarely, if ever, stumble or loiter. Fincher’s mise-en-scène is an authority of total precision, arguably second to none. He simply doesn’t miss his marks, which makes The Killer and its propulsive narrative about a rare and fatal mistake so much more fascinating.

2023, 5 STARS, Home Media, MOVIE REVIEW, StreamingDon ShanahanNovember 11, 2023The Killer, David Fincher, Tilda Swinton, Netflix, Andrew Kevin WalkerComment

MOVIE REVIEW: Doctor Strange

Now in its third phase, Marvel continues to take C-level and D-list comic book characters and titles, breath cinematic life into them with top-notch talent in front of and behind the camera, and turn the obscure in newly minted household names and merchandising windfalls. "Doctor Strange" continues the studio's blueprint of Midas Touch success while jubilantly kicking down the door for magic and mysticism in the MCU. You may not know him yet, but Stephen Strange is a major player and huge addition to an already-loaded heroic panorama.

MOVIE REVIEW: Hail, Caesar!

For this writer and website, the films of Joel and Ethan Coen are pegged as acquired tastes. Slot the brothers and their work right next to Quentin Tarantino in that regard. Their creative brilliance and their reverent place in the upper echelon of superb storytellers are indisputable, proven by their six Oscar wins. Sometimes, in the measure of taste, their choices and results are a maddening or confounding mess. When the Coen brothers are on their game, they are white hot. "Hail, Caesar!" won't go down as one of their best, but there is no denying its draw as a thoroughly entertaining hoot.

MOVIE REVIEW: Trainwreck

The amount of love and appreciation you will garner for "Trainwreck" will entirely depend on your taste and tolerance level for its star, Amy Schumer. The groundbreaking comedienne wrote this screenplay as a fictionalized take on herself. If you love her brash comedy and clever subversive feminism, "Trainwreck" is a star-making arrival and a triumph as rare female-centered romantic comedy. If you're not into the crassness and randomness of her act, the film is going to feel like episodic fits and starts within a flawed romantic comedy that feels like pieces from different and better films.

MOVIE REVIEW: The Zero Theorem

All of this plot in "The Zero Theorem" operates in the wholly imaginative and tremendously trippy world that we expect from Terry Gilliam, which is just as it should be, in a way. I wasn't expecting anything less than his previous surreal creations. It's got that quirk going for it, but it's not used efficiently, outside of the fact that the film kept its dreary magic carpet ride at under two hours.

ADVANCE MOVIE REVIEW: Snowpiercer

What makes "Snowpiercer" a tough sell is its daring, yet isolating post-apocalyptic premise. It's pretty out there, which can be a good thing and a bad thing. However, thanks to buzz of "Captain America: The Winter Soldier," this borderline obscure film receives new life as a small studio's attempt to cash in on the new stock value of its star. Very likely, "Snowpiercer" is going to get the label of the "other Chris Evans movie" this year.

MOVIE REVIEW: The Grand Budapest Hotel

Anderson's hot streak at winning me over has now extended to two films in a row with "The Grand Budapest Hotel." Richly detailed in every sense of possible style, this is a superbly entertaining little caper film that should yield more success for Wes Anderson and earn even more new fans. I know it's just March, but I'm going to go out on a limb right now and say that this is the best written film you will see all year. The script is brilliant beyond measure and a star-studded cast rarely misses a beat to make those words shine and leap off the page and screen.

EVERY MOVIE HAS A LESSON

by Don Shanahan

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