I cannot beat the drum for the word "timely" enough when it comes to Kathryn Bigelow's Detroit. Her follow-up to Zero Dark Thirty is a jarring yet important film that speaks volumes and draws numerous parallels from 1967 to 2017. As hard as it is to watch, it is equally essentially viewing that poses the challenges for progress, increased empathy, and improved dialogue on a multitude of racial, ethical, and societal issues that have not gone away in a half-century and beyond.
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There are not enough loud writing colors on the ShowMe app to give the splashy neon of Atomic Blonde the rub it deserves, but, hopefully, my words do the trick. Come and bow at the altar of Charlize Theron, as I did for this review. The film may not be anything special in the spy department, but the Monster Oscar winner deserves the fist-pumps for the toughness and guile she put on display.
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For a film like Detroit with difficult content thrust upon audiences to endure, this is not a place to seek entertainment or joy. Instead, Detroit is a challenge of cementing respect and achieving an empathy deeper than basic sympathy. Step into a beyond-cautionary tale of history that school books skipped or have forgotten. Let Detroit stir and inspire conversations. Let the emotions, good and bad, come and talk about them.
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The phrase “nuns behaving badly” sounds like a bad porno title or a silly hashtag. Alas, that’s the low-hanging fruit and chicanery afoot in The Little Hours. Tracing inspiration to a yarn from one of Giovanni Boccaccio’s collected 14th century novellas in The Decameron, the new ensemble film from Jeff Baena wraps it religious habit up with wit, erotica, and practical jokes from Italian prose translated into a modern vernacular.
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Welcome to the polarizing gamut of engagement, acceptance, and disquiet of A Ghost Story. This is a wholly original film that takes preparation, patience, absorption, and reflection that some, or even many, may not be ready for. Presented in the rounded and claustrophobic corners of a centered 1.33:1 aspect ratio, it is safe to say, you will see nothing like this all year and maybe several more.
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It's time to call the prequel trilogy of Planet of the Apes one of the best movie trilogies of all-time. It's time to give serious Oscar consideration to Andy Serkis as Caeser. It's time to see what is, so far, the best film of 2017. Hear those thoughts and more in my "Movie Classroom" interactive whiteboard video review for War for the Planet of the Apes as it appears published on the Every Movie Has a Lesson YouTube channel. See this film immediately.
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Spider-Man: Homecoming, starring Tom Holland as a true and proper teenage Spider-Man/Peter Parker, is a welcome and refreshing clean slate for the character. It's too bad it took three franchise attempts to get here. Filled to the brim with both easter eggs, supporting characters, swell touches of character, and zesty heart, this is the Spider-Man film you've always hoped for. Enjoy my full spoken review layered with an interactive whiteboard lesson for the latest "Movie Classroom" video review on this website's YouTube channel:
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Edgar Wright's new film Baby Driver falls in the category of sub-genre of action films that I like to call "kinetic films." Hear that genre definition, how Baby Driver fits the bill as ideal summer entertainment and more as I present the spoken form of my full review of the film accompanied by an interactive whiteboard lesson via the ShowMe app. Enjoy the latest video review in my "Movie Classroom" series on this website's YouTube channel:
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Sofia Coppola's film may have been lauded at the Cannes Film Festival, but The Beguiled was a bit of a miss for me, despite its rich aesthetics. Here my full review, complete with new intro music and title card, and watch an interactive whiteboard lesson of notes and fun created by the ShowMe app for iPad over on my YouTube channel and "Movie Classroom" series.
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I'm beginning to love making this annual halfway point list. For me, 2017 has been a year for immense volume. Since January, I've reviewed 64 films, 58 of which were 2017 releases and not carryovers from a late 2016 awards season. Thanks to some film festival and advance press access, you can add 16 short films and four more feature films pending the windows to publish reviews. True to my website's hook, I present each film with its best life lesson from my review.
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Spider-Man: Homecoming counts as a clean slate for Peter Parker’s web-slinger. Now nestled into the established Marvel Cinematic Universe, Tom Holland is a true teenage Spider-Man, one that was never successfully conveyed by two previous franchises and their over-aged actors. Aiming to please and bursting with effervescent zest at every flip, swing, and turn, John Watts’ Spider-Man: Homecoming succeeds as a brand new jumping off point for a character that badly needed course correction.
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A significant shift in attention and investment has occurred in this series. Our hearts and allegiances swayed from rooting for the madness of our own mankind to the superior traits of humanity exhibited by Caesar and his ape brethren. A transformation of empathy like that is downright miraculous. War for the Planet of Apes is a full-bodied epic of glory and pain that matches and then exceeds the moving importance and heart this rebooted franchise has established in two previous knockout films.
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