Matching the legend status branding and first-name-only titling of Baz Luhrmann, Coppola’s aim was to present the little-known side of the Presley story that happened under domestic lamplights instead of the flashbulbs of the public eye. The writer-director had to do so with a certain degree of difficulty similar to Ava DuVernay’s challenge on Selma nine years ago where the estate of Rev. Dr. Martin Luther King, Jr. had granted licenses for King’s speeches to another studio and film project. Thanks to approval given to Luhrmann already, no Elvis Presley music is used in Priscilla.
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