So much of Confess, Fletch feels like a wiser-than the norm throwback against the hefty audience quadrant that will always prefer the louder, action-ified punch of the James Bonds and Jason Bournes of the world over a journalist gumshoe. If that crowd can slow down for a smaller and smoother ride, they will find mental thrills equally clever to the pop of blockbuster stunts that fade as quickly as they explode.
Read MoreEdgar Wright's new film Baby Driver falls in the category of sub-genre of action films that I like to call "kinetic films." Hear that genre definition, how Baby Driver fits the bill as ideal summer entertainment and more as I present the spoken form of my full review of the film accompanied by an interactive whiteboard lesson via the ShowMe app. Enjoy the latest video review in my "Movie Classroom" series on this website's YouTube channel:
Read MoreThe films of Edgar Wright pulse with a signature flair for visual comedy built on wildly imaginative stylings in the areas of music, framing, camera movement, sound effects, and editing. His creative trickery wins for looks, but it also constantly advances the storytelling at hand. For that and so much more, Baby Driver is first-rate example of a kinetic film and joins the top ranks of Wright’s filmography.
Read MoreI watch "Minions" and I don't see anything fresh or fun. I see a bloated adventure film that steals good ideas from better films because its own originality is tremendously limited. I hear and see repeated cliches around every corner that are only played for laughs because of mild physical comedy. I see a movie so annoying that I would punch my own child in the face for wanting to watch it over and over. I'll be the one that says it. This film is terrible and we can do better with family entertainment.
Read More
