Take the title of the film whatever way you wish, be it literally with the lurking threats of nightfall in this landscape or figuratively with the visions and nightmares one has while alone with their thoughts before sleeping. It Comes at Night is tightly comprised of excruciating moral challenges that escalate with time.
Read MoreThe three-part noun definition of “wonder” can be summarized as “a cause of astonishment, the quality of excited admiration, or rapt attention at something awesomely mysterious or new to one’s experience.” Used as an adjective in a proper name, the word could not be more fitting of Princess Diana of Themyscira, better known as Wonder Woman. Whether it represents a cog in a larger universe, a historical watershed for women’s leadership, or the answered prayers of long-suffering fans and idolizing dreamers, Wonder Woman is a valiant, momentous, and satisfying first step fitting of the iconic heroine.
Read MoreOver 40 feature-length and short films, many of which making their Chicago premieres, graced the main screen of the Music Box Theatre this past week-and-change as part of the fifth annual Chicago Critics Film Festival. It was an honor and pleasure to be be granted press credentials to cover the event. Here are my collected capsule reviews of the short film programs.
Read MoreOver 40 feature-length and short films, many of which making their Chicago premieres, graced the main screen of the Music Box Theatre this past week-and-change as part of the fifth annual Chicago Critics Film Festival. It was an honor and pleasure to be be granted press credentials to cover the event. Here are my collected capsule reviews of the feature-length films.
Read MoreDesigned by H.R. Giger and manifested by Oscar-winning special effects puppetry, the unforgettable xenomorph creature that debuted in 1979’s Alien lunged with more menace than suddenness. The acid-dripping extraterrestrial was an overpowering stalker. Fast-forward 38 years to Alien: Covenant, and the CGI-boosted effects capable today have accelerated the monster’s lethal velocity to an unhinged and downright bonkers level. Let me tell you, that’s a dandy of a jolt.
Read More“Guardians of the Galaxy Vol 2” is an brazen explosion of Crayola-sheened special effects wonder mixed with invisible grays of magnetic character growth and depth. Just as with the first film, Marvel and company have taken a D-list roster of obscure also-rans and created new superstars and household names that you actually care about. True to the unwritten rules of sequels, the core is bolstered and improvements have been made.
Read More“Love, Lies” plays upon the decaying dichotomy orbiting the two women as they vie for love and validation against dignity and betrayal. It’s impossible not to feel the emotions imbued into the punctuating moments of expression through song that fully embody the conflict and romantic encumbrances weighing on the characters. The music is the vital and resonating fiber that unites the period atmosphere with the stirring portrayals of talent.
Read More“The Sex Addict” is tailor-made to serve comedy fans that soak up humor akin to “The Office” and “Parks and Recreation.” The humor is naturally vulgar and dark, which isn’t everyone’s cup of tea. The crowd that will be repulsed can be replaced by those rolling on the floor laughing. “The Sex Addict” is a ways away from the supreme mockumentary exemplars of Christopher Guest, but that’s the perfect plane for Amir Mo and company to aspire to.
Read MoreIf the Windy City can show us anything, it’s that die-hard Chicago Cub fans come in all shapes, sizes, and ages. More so, fans come from different walks of life, waving flags of different colors, including, best of all, the rainbow-colored variety. “Landline,” from local do-it-all filmmaker Matthew Aaron, is a fun-loving LGBTQ+ comedy merging ardent North Siders with snappy musings on our societal obsessions with technology, all in proximity to the heavenly palace that is Wrigley Field.
Read MoreWith stunning brush strokes soaked in pathos and blood, "Logan" taps into a cask of comic book scotch that been reserved to reach maturity. This is, by a country mile, not only the best film of the “X-Men” franchise, but the best of 20th Century Fox’s entire catalog of Marvel Films. Presented as an analogy, “Logan” is to comic book films what “Unforgiven” was to westerns.
Read More"The Great Wall" is an imposing creature feature that stands as a three-headed glamour project. You have an A-list star venturing overseas for international credibility and a splashy director landing his official English-language debut. Aiming higher in aspiration is a production company hoping to open a new and profitable pipeline of investment between Hollywood and China. Visually splendid from top to bottom, this epic adventure squeaks by on its looks and spares no expense to make sure of that.
Read MoreDirected by Christoforos “Christopher” Papakaliatis, “Worlds Apart” presents three narratives and three different flavors of passion. Each surrounds a Greek native in a burgeoning romantic relationship with an immigrant from another land. Thematically, all that transpires in the film riffs on recurring imagery and commonality with the mythical story of Eros, the Greek god of love. Layering a topical worldview tinged with allegory every step of the way, “Worlds Apart” is a mature and beguiling romantic drama.
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