This writer is an unabashed film music lover. I owned more film score CDs than ones of popular music back in the day and that ratio hasn’t changed with digital media. Hell, I wrote a long-form editorial three years ago proclaiming film music as an improvement of the Mozart Effect for babies and children which led to a playlist afterwards that I still use to this day. I am a mark for what Score: A Film Music Documentary was selling and many of the names and talents featured in the film are found on that personal playlist.
Read MoreWith stunning brush strokes soaked in pathos and blood, "Logan" taps into a cask of comic book scotch that been reserved to reach maturity. This is, by a country mile, not only the best film of the “X-Men” franchise, but the best of 20th Century Fox’s entire catalog of Marvel Films. Presented as an analogy, “Logan” is to comic book films what “Unforgiven” was to westerns.
Read More“The Shallows” gives Blake Lively the chance to not only prove she’s more than a Hollywood hot body, but also one-up her husband Ryan Reynolds in survival film department next to his little 2010 gem “Buried.” Prominent click bait out there will have you believe that “The Shallows” is the best shark movie since “Jaws.” That bold statement is a bit of overrated hyperbole. “Open Water” and “Deep Blue Sea” might have something to say about that. However, there more than enough impressive rush and originality from “The Shallows” to stand out in a crowded summer marketplace of retreads and sequels.
Read MoreWe men can’t resist a good western. On paper, the new film opening in Chicago this week, “The Homesman,” starring and directed by Tommy Lee Jones could sell tickets to us men just by his presence alone. His gruff persona is perfect for the genre in every way. The “guy film” potential and exterior stops there at Tommy Lee Jones. “The Homesman,” adapted from the novel of the same name from notable western writer Glendon Swarthout dives deeper, darker, and fervently towards a different perspective.
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