No matter what faith (or absence of faith) you carry into this film’s experience, you will respect the positive efforts of the real-life ministries featured in “Faith in the Big House.” Lives are changed before your eyes and it’s not all Bible-thumping. To that end, it is wholly refreshing to observe a Christian point-of-view that holds its peers of different denominations and, more importantly, itself strictly accountable for this kind of communal service.
Read MoreTo come right out and say it, this is more than a monster movie, and you will relish seeing why. To that degree, so little about “Colossal” is conventional, an appealing and commendable trait in today’s movie landscape. Satire and dark comedy do more damage than any kaiju stomping cities. Vigalondo and company are aiming for creative perversion and subversion of multiple genres. Peculiarity rules over spectacle with minimal loss of entertainment.
Read MoreDare I say it, I think Joe Swanberg has turned a corner with “Win It All,” a new release available on Netflix. Coherency has been the bane of mumblecore’s existence and, for at least one film, the celebrated Chicago filmmaker has found the right palatable proportions of his craft. With “Win It All,” Swanberg stays true to the naturalistic everyday settings and improvisational dialogue that he thrives on and thankfully applies them to tighter narrative structure.
Read MoreBeing “in the dark” is a savory place to be for a film like this. Keenly and decisively, “The Blackcoat’s Daughter” carries a nearly strict reliance on suggestion and atmosphere over exploitation. For that, Perkins and company get it and do not need a “throwback” label to prove it. They know that our mental guessing is always more frightening than showing every little thing.
Read More2017 Chicago Irish Film Festival: Short Program II
Kids not only say the darndest things, but do the darndest things too. “The Debt” is a highly charming short film illustrating a child’s view of courtship and love. The romantic ways of the world are foreign to the young, so they make up their own ideas. Engaging and well-acted by youth performers, this short film will charm you to pieces.
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Bill Condon’s “Beauty and the Beast” stands firmly on its own merit. True to Disney’s recent trajectory, its goal is to “reimagine” a previous animated classic into the live-action medium for a new era and audience. Unlike the recent treatments of "Cinderella" and "Malificent," this "Beauty and the Beast" stays a full-blown musical. Imitation, emulation, and homage are all part of that process, but so is reappraisal and reinterpretation. Those later two actions are what drive this new fantasy film to soaring and successful heights.
Read More“Kong: Skull Island” taps into the same definition of “spectacle” that applies to “Jurassic World” nearly two years ago. This ain’t your old “King Kong.” This is “go big or go home.” If you’re looking for the version steeped in awe and wonder, go watch the 1933 original. To expand the original’s wonderment with the best of today’s special effects, go watch Peter Jackson’s 2005 remake. If you want a rip-roaring roller coaster with no strings, rules, or heavy gravitas attached, you’ve come to the right place in 2017.
Read MoreTo come right to the point, “Get Out” is an 104-minute living embodiment of a slow-burning WTF moment that just keeps growing with every new detail. And it’s glorious for being that very thing. More psychological thriller than the spattered horror it’s being billed to be, Jordan Peele’s directorial debut is subversively edgy and devilishly clever.
Read More2017 Chicago Irish Film Festival: Shorts Program
Director Peter Delaney and writer Daniel Mooney flesh out miniature character study with decent results. Andrew Bennett gives a very solid performance to construct numerous shades of character within Joe. He is a man that is losing touch with his comfort zone. We never fully know his issues and we shouldn’t have to.
Read More2017 Chicago Irish Film Festival: Shorts Program
As it plays out its thirteen minutes, “First Kiss” is hilarious and charming in its tidy simplicity. Written by Fitzpatrick himself and directed by Patrick O’Shea, the short film generates the right amplitude of sparks cooled by the right temperament of sweetness.
Read MoreChock full of more jokes, puns, and references than there are virtual plastic bricks, “The LEGO Batman Movie” is a breezy blast of unabashed fun. Twirling with dazzling animation and saturated with endless character possibilities, these two hours of zippy entertainment offer exhilarating playful engagement for young audiences and many absolute belly laughs for the adults. Like “The LEGO Movie” before it, the biggest flaw will always be the manic pace.
Read MoreThis year’s Academy Award nominees for Best Animated Short are an eclectic bunch. One of them, “Borrowed Time,” I have previously reviewed in full on this website. Here are my collected capsule reviews of the slate of five, complete with my signature life lessons. Look for the theaters this month bundling these nominees together for public viewing and ticket opportunities.
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