Acting is more than just great lines and fancy speeches. Some of the best elements of true performance come when the camera is on and no one is saying a word. You won't find a better clinical example of that half of acting than from a 2015 film than in "45 Years" starring newly-minted Academy Award nominee Charlotte Rampling and Tom Courtenay. You will see exactly why she earned her nomination.
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When you have a film adaptation of a William Shakespeare play as arresting, brawny, and commanding as Justin Kurzel's "Macbeth," one has to throw the theater snob rant out the window. They are exactly like the "book is better than the movie crowd" only more under-served. We get it. No cinematic adaptation is ever going to satisfy everyone. My advice is get over the nit-picking and soak in a movie and treat it as a different medium entirely than the static stage. This new "Macbeth" is an event, not a play, and a darn good one.
Read MoreDirected by Italian filmmaker Paolo Sorrentino, “Youth” is a cornucopia of quirk colliding with decadence. We get to see how the other half lives through messy characters making sense of their lives while soaking in a lavish vacation. Thanks to a stellar cast and brilliant performances, “Youth” surprises us to show how much interest and intrigue can be found in foppish people we normally wouldn’t closely identify with as an audience.
Read MorePicture your personal influences, either worshiped or admired, and imagine being granted the opportunity to have a conversation with them. What would you talk about? What would you ask them? How would it change you? In the world of cinema, such a conversation happened between a then-neophyte auteur Francois Truffaut and the aging master Alfred Hitchock in 1962. Their documented meeting has gone on to inspire generations of future filmmakers and cinephiles.
Read More51st Chicago International Film Festival OUT-Look Special Presentation
"Carol," among many other superlatives, is a film completely driven by the weight of reason and accountability within its female lead characters. Played by Oscar winner Cate Blanchett and Oscar nominee Rooney Mara, we witness two women formulating the capacity to reason with the undeniable truths they find in their hearts while understanding the ramifications and accountability acting on those feelings would result in as women of the pre-feminist 1950s. "Carol" is a fascinating and empowering love story, no matter what label you associate for your identity or disposition.
Read More51st Chicago International Film Festival U.S. Indies special presentation
Much of the resisted maturation journey playing out for the title character in Josh Mond's "James White" feels petulant and half-hearted, much like the character himself. We learn that effort is by design because he is a character that needs fixing. The only way James White can mature is through bottoming out and finding emotion in places other than himself. "James White" is a difficult and unflinching look at both terminal illness and wasting one's life on selfish excesses.
Read More51st Chicago International Film Festival Highlight special presentation
In the hands of someone more bombastic, the finished product of "The 33" would be far more cliche and erroneously over-dramatized. Director Patricia Riggen certainly still employs a plentiful creative license to dramatize and compress this trauma into two hours, but the lionizing on one end and the vilifying on the other is remarkably low. "The 33" is a winning survival film where the people come before the stereotypes and theatrics.
Read More"Brooklyn" is an forthright, approachable, and esteemed historical drama where the dignity and honesty soar to heavenly heights to shine on the plights of love and independence. This tremendous film nestles a powerful love triangle within a touching immigrant and independent woman's saga from the 1950s. More than just being some high-end chick flick, "Brooklyn" stands as one of the finest films of the year and an immediate Oscar contender.
Read More"The Assassin," directed by Taiwan New Wave director Hou Hsiao-Hsien, is the latest and brightest wuxia film looking to make an international splash. The film was an official Main Competition selection of the 2015 Cannes Film Festival, where it won the awards for Best Director and the Soundtrack Award. It is making the rounds of the international film festival circuit, including a recent Highlight selection bow at the 51st Chicago International Film Festival, and will represent Taiwan's entry for Best Foreign Language Film at the 88th Academy Awards this coming February.
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There is a tangible and winsome spirit that emerges through this quick 80-minute journey of "The Middle Distance." First-time director Patrick Underwood rightly sticks to artistic vision and solid storytelling over cheap tricks and the urge to throw monkey wrenches at everything for the sake of standing out. A easy story such as this doesn't need overindulgence.
Read More51st Chicago International Film Festival special presentation
In this writer's opinion, documentary films are at their strongest when they merge two symbiotic pairs of traits. A good documentary and its human interest story merges truth with its narrative. Secondly, a good documentary merges its overarching message with art. Any of those four ingredients alone are not enough. In the documentary genre, a narrative without truth defeats its nonfiction purpose and the central message being delivered needs the artistic touch requisite to its chosen medium of cinema. As long as it can achieve those two mergers, a successful documentary can take any subject and give it proper focus.
Read MoreAnnually, the Chicago International Film Festival houses some of the first opportunities to Oscar contenders and world-class films. With so many choices, what are the high-profile or can’t-miss films appearing at the year’s festival? Here are this website’s picks for the top 10 must-see films of the 51st Chicago International Film Festival.
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